Saccade in the context of "Medial longitudinal fasciculus"

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πŸ‘‰ Saccade in the context of Medial longitudinal fasciculus

The medial longitudinal fasciculus (MLF) is a prominent bundle of nerve fibres which pass within the ventral/anterior portion of periaqueductal gray of the mesencephalon (midbrain). It contains the interstitial nucleus of Cajal, responsible for oculomotor control, head posture, and vertical eye movement.

The MLF interconnects interneurons of each abducens nucleus with motor neurons of the contralateral oculomotor nucleus; thus, the MLF mediates coordination of horizontal (side to side) eye movements, ensuring the two eyes move in unison (thus also enabling saccadic eye movements). The MLF also contains fibers projecting from the vestibular nuclei to the oculomotor and trochlear nuclei as well as the interstitial nucleus of Cajal; these connections ensure that eye movements are coordinated with head movements (as sensed by the vestibular system).

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Saccade in the context of Eye movement in music reading

Eye movement in music reading is the scanning of a musical score by a musician's eyes. This usually occurs as the music is read during performance, although musicians sometimes scan music silently to study it. The phenomenon has been studied by researchers from a range of backgrounds, including cognitive psychology and music education. These studies have typically reflected a curiosity among performing musicians about a central process in their craft, and a hope that investigating eye movement might help in the development of more effective methods of training musicians' sight reading skills.

A central aspect of music reading is the sequence of alternating saccades and fixations, as it is for most oculomotor tasks. Saccades are the rapid β€˜flicks’ that move the eyes from location to location over a music score. Saccades are separated from each other by fixations, during which the eyes are relatively stationary on the page. It is well established that the perception of visual information occurs almost entirely during fixations and that little if any information is picked up during saccades. Fixations comprise about 90% of music reading time, typically averaging 250–400 ms in duration.

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