Séance in the context of "Table-turning"

In folklore, a ghost is the soul or spirit of a dead person or non-human animal that is believed by some people to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely, from an invisible presence to translucent or barely visible wispy shapes to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a séance. Other terms associated with it are apparition, haunt, haint, phantom, poltergeist, shade, specter, spirit, spook, wraith, demon, and ghoul.

The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and the ghosts of animals other than humans have also been recounted. They are believed to haunt particular locations, objects, or people they were associated with in life. According to a 2009 study by the Pew Research Center, 18% of Americans say they have seen a ghost.

The spirit world, according to spiritualism, is the world or realm inhabited by spirits, both good or evil of various spiritual manifestations. This spirit world is regarded as an external environment for spirits. The Spiritualism religious movement in the nineteenth century espoused a belief in an afterlife where an individual's awareness persists beyond death. Although independent from one another, both the spirit world and the physical world are in constant interaction. Through séances, trances, and other forms of mediumship, these worlds can consciously communicate with each other. The spirit world is sometimes described by mediums from the natural world in trance.

Spiritualism is a social religious movement popular in the nineteenth and early twentieth centuries, according to which an individual's awareness persists after death and may be contacted by the living. The afterlife, or the "spirit world", is seen by spiritualists not as a static place, but as one in which spirits continue to interact and evolve. These two beliefs—that contact with spirits is possible, and that spirits are more advanced than humans—lead spiritualists to the belief that spirits are capable of advising the living on moral and ethical issues and the nature of God. Some spiritualists follow "spirit guides"—specific spirits relied upon for spiritual direction.

Emanuel Swedenborg has some claim to be the father of spiritualism. The movement developed and reached its largest following from the 1840s to the 1920s, especially in English-speaking countries. It flourished for a half century without canonical texts or formal organization, attaining cohesion through periodicals, tours by trance lecturers, camp meetings, and the missionary activities of accomplished mediums. Many prominent spiritualists were women, and like most spiritualists, supported causes such as the abolition of slavery and women's suffrage. By the late 1880s the credibility of the informal movement had weakened due to accusations of fraud perpetrated by mediums, and formal spiritualist organizations began to appear. Spiritualism is currently practiced primarily through various denominational spiritualist churches in the U.S., Canada and the United Kingdom.

The Ouija (/ˈwiːdʒə/ WEE-jə, /-dʒi/ -⁠jee), also known as a Ouija board, spirit board, talking board, or witch board, is a flat board marked with the letters of the Latin alphabet, the numbers 0–9, the words "yes", "no", and occasionally "hello" and "goodbye", along with various symbols and graphics. It uses a planchette (a small heart-shaped piece of wood or plastic) as a movable indicator to spell out messages during a séance. Participants place their fingers on the planchette, which is moved about the board to spell words. The name "Ouija" is a trademark of Hasbro (inherited from Parker Brothers), but is often used generically to refer to any talking board.

Spiritualists in the United States believed that the dead were able to contact the living, and reportedly used a talking board very similar to the modern Ouija board at their camps in Ohio during 1886 with the intent of enabling faster communication with spirits. Following its commercial patent by businessman Elijah Bond being passed on 10 February 1891, the Ouija board was regarded as an innocent parlor game unrelated to the occult until American spiritualist Pearl Curran popularized its use as a divining tool during World War I.

Hilma af Klint (Swedish pronunciation: [ˈhɪ̂lːma ˈɑːv ˈklɪnːt]; 26 October 1862 – 21 October 1944) was a Swedish artist and mystic whose paintings are considered to be among the first major abstract works in Western art history. A considerable body of her work predates the first purely abstract compositions by Kandinsky, Malevich, and Mondrian. She belonged to a group called "The Five", a circle of women inspired by Theosophy who shared a belief in the importance of trying to contact the "High Masters", often through séances. Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas.

Anito, also spelled anitu, refers to ancestor spirits, nature spirits, and deities in the Indigenous Philippine folk religions from the precolonial age to the present, although the term itself may have other meanings and associations depending on the Filipino ethnic group. It can also refer to carved humanoid figures, the taotao, made of wood, stone, or ivory, that represent these spirits. Anito (a term predominantly used in Luzon) is also sometimes known as diwata in certain ethnic groups (especially among Visayans).

Pag-anito refers to a séance, often accompanied by other rituals or celebrations, in which a shaman (Visayan: babaylan, Tagalog: katalonan) acts as a medium to communicate directly with the dead ancestors and spirits. When a nature spirit or deity is specifically involved, the ritual is called pagdiwata. The act of worship or a religious sacrifice to a spirit and deities.

In Germanic paganism, a seeress is a woman said to have the ability to foretell future events and perform sorcery. They are also referred to with many other names meaning "prophetess", "staff bearer" and "sorceress", and they are frequently called witches both in early sources and in modern scholarship. In Norse mythology the seeress is usually referred to as völva or vala.

Seeresses were an expression of the pre-Christian shamanic traditions of Europe, and they held an authoritative position in Germanic society. Mentions of Germanic seeresses occur as early as the Roman era, when, for example, they at times led armed resistance against Roman rule and acted as envoys to Rome. After the Roman Era, seeresses occur in records among the North Germanic people, where they form a reoccurring motif in Norse mythology. Both the classical and the Norse accounts imply that they used wands, and describe them as sitting on raised platforms during séances.

A planchette ( /plɑːnˈʃɛt/ or /plænˈʃɛt/), from the French for "little plank", is a small, usually heart-shaped flat piece of wood equipped with two wheeled casters and a pencil-holding aperture pointing downwards, used to facilitate automatic writing. The use of planchettes to produce mysterious written messages gave rise to the belief that the devices foster communication with spirits as a form of mediumship. The devices were popular in séances during the Victorian era, before their eventual evolution into the simpler, non-writing pointing devices for ouija boards that eclipsed the popularity of their original form. Scientists explain the motion is due to the ideomotor effect, but paranormal advocates believe the planchette is moved by the presence of spirits or some form of subtle energy.

Planchettes took on a variety of forms during the height of their popularity. American planchettes were traditionally heart- or shield-shaped, but manufacturers produced a wide range of shapes and sizes hoping to distinguish themselves in the highly competitive and profitable market of the devices' late-1860s heyday. Manufacturers espoused the wonders and benefits of different materials (including various hardwoods, India rubber, and even glass), insulated casters, and various attachments meant to "charge" the devices or insulate the user from malevolent spirits. In Great Britain, planchettes took on the classical shapes popularized in early illustrations and newspaper depictions, with round, blunt noses and flat backs. Regardless of their shape or country of origin, almost all planchettes were equipped with brass casters and small wheels of bone or plastic, and their sometimes lavishly illustrated boxes were often packed with blank parchment, pencils, ouija-like folding letter sheets, and esoteric instructions espousing the mysterious communicative powers of the items.