Tom and Jerry in the context of "Humour"

⭐ In the context of Humour, *Tom and Jerry* is considered particularly effective for which demographic due to its comedic style?

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⭐ Core Definition: Tom and Jerry

Tom and Jerry (also known as Tom & Jerry) is an American animated media franchise and series of comedy short films created in 1940 by William Hanna and Joseph Barbera. Best known for its 161 theatrical short films produced by Metro-Goldwyn-Mayer, the series centers on the rivalry between a cat named Tom and a mouse named Jerry. Many shorts also feature several recurring characters.

Created in 1940 as the MGM cartoon studio struggled to compete with Walt Disney Productions and Leon Schlesinger Productions, Tom and Jerry's initial short-film titled Puss Gets the Boot proved successful in theaters and garnered an Academy Award nomination for Best Short Subject (Cartoon). Hanna and Barbera later directed a total of 114 Tom and Jerry shorts for its initial MGM run from 1940 to 1958. During this time, they won seven Academy Awards for Best Animated Short Film, tying for first place with Walt Disney's Silly Symphonies with the most awards in the category. After the MGM cartoon studio closed in 1957, MGM revived the series with Gene Deitch directing an additional thirteen Tom and Jerry shorts for Rembrandt Films in Czechoslovakia, from 1961 to 1962. Tom and Jerry became the highest-grossing animated short-film series of that time, overtaking Looney Tunes. Chuck Jones produced another 34 shorts with Sib Tower 12 Productions between 1963 and 1967. Five more shorts have been produced since 2001, making a total of 166 shorts.

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In this Dossier

Tom and Jerry in the context of Humor

Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement. The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as "humours" (Latin: humor, "body fluid"), controlled human health and emotion.

People of all ages and cultures respond to humour. Most people are able to experience humour—be amused, smile or laugh at something funny (such as a pun or joke)—and thus are considered to have a sense of humour. The hypothetical person lacking a sense of humour would likely find the behaviour to be inexplicable, strange, or even irrational. Though ultimately decided by subjective personal taste, the extent to which a person finds something humorous depends on a host of variables, including geographical location, culture, maturity, level of education, intelligence and context. For example, young children may favour slapstick such as Punch and Judy puppet shows or cartoons such as Tom and Jerry or Looney Tunes, whose physical nature makes it accessible to them. By contrast, more sophisticated forms of humour such as satire require an understanding of its social meaning and context, and thus tend to appeal to a more mature audience.

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Tom and Jerry in the context of Physical comedy

Physical comedy is a form of comedy focused on manipulation of the body for a humorous effect. It can include slapstick, clowning, mime, physical stunts, or making funny faces.

Physical comedy originated as part of the Commedia dell'arte. It is now sometimes incorporated into sitcoms; for example, in the sitcom Three's Company, actor John Ritter frequently performed pratfalls. Cartoons, particularly film shorts, also commonly depict an exaggerated form of physical comedy (incorporating cartoon physics), such as in Tom and Jerry and Wile E. Coyote and the Road Runner.

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Tom and Jerry in the context of Gravity Recovery and Climate Experiment

The Gravity Recovery and Climate Experiment (GRACE) was a joint mission of NASA and the German Aerospace Center (DLR). Twin satellites took detailed measurements of Earth's gravity field anomalies from its launch in March 2002 to the end of its science mission in October 2017. The two satellites were sometimes called Tom and Jerry, a nod to the famous cartoon. The GRACE Follow-On (GRACE-FO) is a continuation of the mission on near-identical hardware, launched in May 2018. On March 19, 2024, NASA announced that the successor to GRACE-FO would be Gravity Recovery and Climate Experiment-Continuity (GRACE-C), to be launched in December 2028.

By measuring gravity anomalies, GRACE showed how mass is distributed around the planet and how it varies over time. Data from the GRACE satellites is an important tool for studying Earth's ocean, geology, and climate. GRACE was a collaborative endeavor involving the Center for Space Research at the University of Texas at Austin, NASA's Jet Propulsion Laboratory, the German Aerospace Center and Germany's National Research Center for Geosciences, Potsdam. The Jet Propulsion Laboratory was responsible for the overall mission management under the NASA ESSP (Earth System Science Pathfinder) program.

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Tom and Jerry in the context of Mickey and the Seal

Mickey and the Seal is a cartoon short created by Walt Disney in 1948. It was nominated for Academy Award for Best Animated Short Film, but lost to MGM's Tom and Jerry cartoon The Little Orphan, which shared one of seven Oscars for the Tom and Jerry series. It was the 122nd short in the Mickey Mouse film series to be released, and the second produced that year.

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Tom and Jerry in the context of How to Play Football

How to Play Football is an animated comedy short film by Disney starring Goofy, released on September 15, 1944. The short was directed by Jack Kinney. The seven and a half minute film was nominated for an Academy Award for Best Animated Short Film, but lost to the Tom and Jerry cartoon Mouse Trouble by MGM.

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Tom and Jerry in the context of Animation in the United States in the television era

The television era of American animation was a period in the history of American animation that gradually started in the late 1950s with the decline of theatrical animated shorts and popularization of television animation, reached its peak during the 1970s, and ended around the mid-1980s. This era was characterized by low budgets, limited animation, an emphasis on television over the theater, and the general perception of cartoons being primarily for children.

The early-to-mid 20th century saw the success of Disney’s theatrical animated movies, along with Warner Bros.Looney Tunes and MGM’s Tom and Jerry cartoons. However, the state of animation began changing with the mid-century proliferation of television. By the 1970s and 1980s, studios had generally stopped producing the big-budget theatrical short animated cartoons that thrived in the golden age, but new television animation studios would thrive based on the economy and volume of their output. Many popular and famous animated cartoon characters emerged from this period, including Hanna-Barbera's Scooby-Doo, Josie and the Pussycats, Captain Caveman, and Hong Kong Phooey, Filmation's He-Man, DiC Entertainment's Inspector Gadget, and Marvel Productions' and Sunbow Productions' The Transformers. The period came to an end in the late 1980s as many entertainment companies revived their animation franchises and returned to making high-budget, successful works.

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Tom and Jerry in the context of Rudolf Ising

Rudolf Carl Ising (/ˈzɪŋ/ EYE-zing; August 7, 1903 – July 18, 1992) was an American animator best known for collaborating with Hugh Harman to establish the Warner Bros. and MGM Cartoon studios during the early years of the golden age of American animation. In 1940, Ising produced William Hanna and Joseph Barbera's first cartoon, Puss Gets the Boot, a cartoon featuring characters later known as Tom and Jerry.

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