Ruth Chatterton (December 24, 1892 – November 24, 1961) was an American stage, film, and television actress, aviator and novelist. She was at her most popular in the early to mid-1930s, and in the same era gained prominence as an aviator, one of the few female pilots in the United States at the time. In the late 1930s, Chatterton retired from film acting but continued her career on the stage. She had several TV roles beginning in the late 1940s and became a successful novelist in the 1950s.
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👉 Ruth Chatterton in the context of The Laughing Lady (1929 film)
The Laughing Lady is a 1929 American sound film melodrama directed by Victor Schertzinger, starring Ruth Chatterton and produced and released by Paramount Famous Lasky Corporation. It is based on a 1922 British play, The Laughing Lady, by Alfred Sutro. The play was brought to New York in 1923 and put on Broadway starring Ethel Barrymore. The film "deal[s] with rape , divorce and hypocrisy in New York's high society".
A 1924 Paramount silent film retitled A Society Scandal starred Gloria Swanson, now lost, was the first adaptation of the play.
In this Dossier
Ruth Chatterton in the context of A Society Scandal
A Society Scandal is a 1924 American silent drama film directed by Allan Dwan, and starring Gloria Swanson and Rod La Rocque. Distributed by Paramount Pictures, the film is based on a 1922 play The Laughing Lady, by Alfred Sutro which starred Ethel Barrymore in 1923 on Broadway and originally in 1922 with Edith Evans in UK.
Paramount remade the story in 1929 as The Laughing Lady an early talkie for Ruth Chatterton.
Ruth Chatterton in the context of Pre-Code Hollywood
Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines (popularly known as the Hays Code) in 1934. Although the Hays Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration. Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.
As a result, some films in the late 1920s and early 1930s depicted or implied sexual innuendo, romantic and sexual relationships between white and black people, mild profanity, illegal drug use, promiscuity, prostitution, infidelity, abortion, intense violence, and homosexuality. Nefarious characters were seen to profit from their deeds, in some cases without significant repercussions. For example, gangsters in films such as The Public Enemy, Little Caesar, and Scarface were seen by many as heroic rather than evil. Strong female characters were ubiquitous in such pre-Code films as Female, Baby Face and Red-Headed Woman, among many others, which featured independent, sexually liberated women. Many of Hollywood's biggest stars, such as Clark Gable, Bette Davis, James Cagney, Barbara Stanwyck, Joan Blondell, and Edward G. Robinson, got their start in the era. Other stars who excelled during this period, however, like Ruth Chatterton and Warren William (sometimes referred to as the "King of Pre-Code", who died in 1948), would be largely forgotten by the general public within a generation.