Royal mistress in the context of "Louise de La Vallière"

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⭐ Core Definition: Royal mistress

A royal mistress is the historical position and sometimes unofficial title of the extramarital lover of a monarch or an heir apparent, who was expected to provide certain services, such as sexual or romantic intimacy, companionship, and advice in return for security, titles, money, honours, and an influential place at the royal court. Thus, some royal mistresses have had considerable power, being the power behind the throne. The institution partly owes its prevalence to the fact that royal marriages used to be conducted solely on the basis of political and dynastic considerations, leaving little space for the monarch's personal preferences in the choice of a partner.

The title of royal mistress was never official, and most mistresses had an official reason to be at the court, such as being a lady-in-waiting or maid-of-honour to a female member of the royal family or a governess to the royal children. However, their real position was most often an open secret, and there was no real division between formal and informal political power in the early French court. From the 15th century onward and most importantly in France, chief mistresses gained a semi-official title (French: maîtresse-en-titre, literally "official mistress"), which came with its own assigned apartments in the palace. A chief mistress was also sometimes called a maîtresse déclarée, or "declared mistress". An unacknowledged, less important royal lover was known as a petite maîtresse ("little mistress").

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👉 Royal mistress in the context of Louise de La Vallière

Françoise-Louise de La Baume Le Blanc, Duchess of La Vallière and Vaujours (6 August 1644 – 6 June 1710) was a French noblewoman and the mistress of King Louis XIV of France from 1661 to 1667.

La Vallière joined the royal court in 1661 as maid-of-honour to Henrietta of England and soon became Louis XIV's mistress. Two of her four children by the King, Marie-Anne, Mademoiselle de Blois (Princess of Conti by marriage) and Louis, Count of Vermandois, survived infancy and were legitimised. She was an important participant in the court's intellectual life, interested in the arts, literature, and philosophy.

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Royal mistress in the context of Nell Gwyn

Eleanor Gwyn (also spelled Gwynn, Gwynne, Gwin; 2 February 1650 – 14 November 1687) was an English stage actress and celebrity figure of the Restoration period. Praised by Samuel Pepys for her comic performances as one of the first actresses on the English stage, she became best known for being a longtime mistress of King Charles II of England.

Called "pretty, witty Nell" by Pepys, she has been regarded as a living embodiment of the spirit of Restoration England, and has come to be considered a folk heroine, with a story echoing the rags-to-royalty tale of Cinderella. Gwyn had two sons by King Charles: Charles Beauclerk (1670–1726) and James Beauclerk (1671–1680). Charles Beauclerk was created Earl of Burford and Duke of St Albans; Murray Beauclerk, 14th Duke of St Albans is her descendant, and the current holder of the title.

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Royal mistress in the context of Magda Lupescu

Magda Lupescu (born Elena Lupescu; 3/15 September 1899 – 29 June 1977), later officially known as Princess Carol of Hohenzollern-Sigmaringen, was the mistress and later wife of King Carol II of Romania.

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Royal mistress in the context of Maîtresse-en-titre

The maîtresse-en-titre (French: [mɛtʁɛs ɑ̃ titʁ]) was the official royal mistress of the King of France. The title was vaguely defined and used in the Middle Ages but finally became an acknowledged, if informal, position during the reign of Henry IV (r. 1589–1610), and continued through the reign of Louis XV (r. 1715–1774). It was a semi-official position which came with its own apartments, estates and a title if the woman did not have any.

Some individuals having this position acquired significant power and more influence than the Queen of France, as some mistresses were known to advise the King of France in state affairs if he was so infatuated, broker favors for clients, elevate others in social mobility, forge alliances and negotiate with foreign diplomats.

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Royal mistress in the context of Windsor Beauties

The Windsor Beauties are a set of portrait paintings, still in the Royal Collection, by Sir Peter Lely and his workshop, produced in the early to mid-1660s, that depict ladies of the court of King Charles II, some of whom were his mistresses. The name stems from the original location of the collection, which was at Windsor Castle. In 2024, they were on display at Hampton Court Palace.

A set of copies was commissioned by Robert Spencer, 2nd Earl of Sunderland for his collection at Althorp, and the complete set can still be viewed there in the Picture Gallery, a room he created to show off his adoration for art.

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