Royal Swedish Academy of Arts in the context of Swedish Royal Academies

John Albert Bauer (4 June 1882 – 20 November 1918) was a Swedish painter and illustrator. His work is concerned with landscape and mythology, but he also composed portraits. He is best known for his illustrations of early editions of Bland tomtar och troll (Among Gnomes and Trolls), an anthology of Swedish folklore and fairy tales.

Bauer was born and raised in Jönköping. At 16 he moved to Stockholm to study at the Royal Swedish Academy of Arts. While there he received his first commissions to illustrate stories in books and magazines, and met the artist Ester Ellqvist, whom he married in 1906. He traveled throughout Lappland, Germany and Italy early in his career, and these cultures deeply informed his work. He painted and illustrated in a romantic nationalistic style, in partly influenced by the Renaissance and Sami cultures. Most of his works are watercolors or prints in monochrome or muted colours; he also produced oil paintings and frescos. His illustrations and paintings broadened the understanding and appreciation of Swedish folklore, fairy tales and landscape.

Ivar Justus Tengbom (April 7, 1878 – August 6, 1968) was a Swedish architect and one of the best-known representatives of the Swedish neo-classical architecture of the 1910s and 1920s.

Tengbom was born in Vireda in Jönköping County, studied at the Chalmers School of Technology in Gothenburg 1894-1898, at the architecture school of the Royal Swedish Academy of Arts in Stockholm 1898-1901 (being awarded the so-called Royal Medal) and abroad 1905-1906. He worked 1906-1912 with Ernst Torulf in Stockholm and Gothenburg 1906-1912, and on his own from 1912 in Stockholm. He was appointed architect in the Office of the Chief Intendant in 1906 and professor of architecture in the Royal Swedish College of Art in 1916. He became a member of the Royal Swedish Academy of Arts in 1917. In 1921 he was appointed Director General of the National Board of Public Building (Byggnadsstyrelsen).

Ruth Ester Elisabet Ellqvist (4 October 1880 – 20 November 1918) was a Swedish artist, model and wife of John Bauer, who was a painter and illustrator. She studied at the Royal Swedish Academy of Arts and spent one year studying art in southern Germany and Italy with her husband. She died in 1918 with her husband and three-year-old son when the boat that they sailed on sank, killing all 24 people on board.

Mårten Eskil Winge (21 September 1825 – 22 April 1896) was a Swedish artist. He was a professor at the Royal Swedish Academy of Arts. He was associated with the Düsseldorf school of painting. His art was influenced by the Norse mythology themes also found in works by Nils Blommér (1816–1853) and Carl Wahlbom (1810-1858).

Helgo Nikolaus Zettervall, older spelling Zetterwall, (21 November 1831 – 17 March 1907) was a Swedish architect and professor of the Royal Swedish Academy of Arts. He is best known for his drastic restorations of churches and other buildings around Sweden.

The Skagen Painters (Danish: Skagensmalerne) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Holger Drachmann, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Hotel.

Skagen, in the very north of Jutland, was the largest fishing community in Denmark, with more than half of its population so engaged. Among the locals, fishermen were by far the most common subject for the Skagen painters. Skagen's long beaches were exploited in the group's landscapes; P.S. Krøyer, one of the best known of the Skagen painters, was inspired by the light of the evening "blue hour", which made the water and sky seem to optically merge. This is captured in one of his most famous paintings, Summer Evening at Skagen Beach – The Artist and his Wife (1899). Although the painters had their own individual styles without any requirement to adhere to a common approach or manifest, one of their common interests was to paint scenes of their own social gatherings, playing cards, celebrating or simply eating together.