Holger Drachmann in the context of "Skagen Painters"

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👉 Holger Drachmann in the context of Skagen Painters

The Skagen Painters (Danish: Skagensmalerne) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Holger Drachmann, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Hotel.

Skagen, in the very north of Jutland, was the largest fishing community in Denmark, with more than half of its population so engaged. Among the locals, fishermen were by far the most common subject for the Skagen painters. Skagen's long beaches were exploited in the group's landscapes; P.S. Krøyer, one of the best known of the Skagen painters, was inspired by the light of the evening "blue hour", which made the water and sky seem to optically merge. This is captured in one of his most famous paintings, Summer Evening at Skagen Beach – The Artist and his Wife (1899). Although the painters had their own individual styles without any requirement to adhere to a common approach or manifest, one of their common interests was to paint scenes of their own social gatherings, playing cards, celebrating or simply eating together.

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Holger Drachmann in the context of Modern Breakthrough

The Modern Breakthrough (Danish: Det moderne gennembrud; Norwegian: Det moderne gjennombrudd; Swedish: Det moderna genombrottet) was a movement of naturalism and debating literature of Scandinavia which replaced romanticism near the end of the 19th century.

The term "The Modern Breakthrough" is used about the period 1870-1890 in the history of literature in Scandinavia, which in this period had a breakthrough from the rest of Europe. Danish theorist Georg Brandes is often considered to be the "wire-puller" behind the movement, although some of the authors had already begun to write in a realistic style before he formulated the aesthetic paradigm of the movement. His lectures at Copenhagen University starting 1871 and his work Main Currents in 19th Century Literature (Danish: Hovedstrømninger i det 19. Aarhundredes Litteratur) mark the beginning of the period.

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Holger Drachmann in the context of Danish literature

Danish literature (Danish: Dansk litteratur) stretches back to the Middle Ages. The earliest preserved texts from Denmark are runic inscriptions on memorial stones and other objects, some of which contain short poems in alliterative verse. In the late 12th century Saxo Grammaticus wrote Gesta Danorum. During the 16th century, the Lutheran Reformation came to Denmark. During this era, Christiern Pedersen translated the New Testament into Danish and Thomas Kingo composed hymns. Fine poetry was created in the early 17th century by Anders Arrebo (1587–1637). The challenges faced during Denmark's absolute monarchy in 1660 are chronicled in Jammersminde (Remembered Woes) by Leonora Christina of the Blue Tower. Ludvig Holberg (1684–1754), influenced by the ideas of the Enlightenment and Humanism, is considered the founder of modern Danish and Norwegian literature. Neoclassical poetry, drama, and the essay flourished during the 18th century influenced by French and English trends. German influence is seen in the verse of the leading poets of the late 18th century such as Johannes Ewald and Jens Baggesen. Other 18th century writers include the hymn writer Hans Adolph Brorson and the satirical poet Johan Herman Wessel.

During Denmark's Golden Age (1800–1850), literature centred on Romantic thinking, with authors such as philosopher Henrik Steffens (1773–1845) and the poet Bernhard Severin Ingemann (1789–1862). One of the most important figures in Danish literary culture was Nikolaj Grundtvig (1783–1872). Hans Christian Andersen (1805–1875) is remembered first and foremost for his fairy tales, written between 1835 and 1872. Søren Kierkegaard (1813–1855) was an existentialist philosopher and a theologian. Jens Peter Jacobsen (1847–1885) began the naturalist movement in Denmark with his romantic, melancholic poems. The Modern Breakthrough was a Scandinavian movement influenced by naturalism towards the end of the 19th century (1870–1890), led by Georg Brandes (1842–1927). Other writers include Holger Drachmann (1846–1908), Herman Bang (1857–1912), and Sophus Schandorph (1836–1901).

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