The Royal Danish Academy of Fine Arts (Danish: Det Kongelige Danske Kunstakademi - Billedkunst Skolerne) has provided education in the arts for more than 250 years, playing its part in the development of the art of Denmark.
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👉 Royal Danish Academy of Art in the context of Philosophy of design
Philosophy of design is the study of definitions of design, and the assumptions, foundations, and implications of design. The field, which is mostly a sub-discipline of aesthetics, is defined by an interest in a set of problems, or an interest in central or foundational concerns in design. In addition to these central problems for design as a whole, many philosophers of design consider these problems as they apply to particular disciplines (e.g. philosophy of art).
Although most practitioners are philosophers specialized in aesthetics (i.e., aestheticians), several prominent designers and artists have contributed to the field. For an introduction to the philosophy of design see the article by Per Galle at the Royal Danish Academy of Art.
In this Dossier
- ⭐ Core Definition: Royal Danish Academy of Art
- 👉 Royal Danish Academy of Art in the context of Philosophy of design
- Royal Danish Academy of Art in the context of Nicolai Abildgaard
- Royal Danish Academy of Art in the context of Nicolai Eigtved
- Royal Danish Academy of Art in the context of Bertel Thorvaldsen
- Royal Danish Academy of Art in the context of Christian Frederik Hansen
Royal Danish Academy of Art in the context of Nicolai Abildgaard
Nicolai Abraham Abildgaard (11 September 1743 – 4 June 1809) was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace (some destroyed by fire 1794), Fredensborg Palace, and Levetzau Palace at Amalienborg.
Royal Danish Academy of Art in the context of Nicolai Eigtved
Nicolai Eigtved (4 June 1701 – 7 June 1754), also known as Niels Eigtved, was a Danish architect. He introduced and was the leading proponent of the French rococo or late baroque style in Danish architecture during the 1730s–1740s. He designed and built some of the most prominent buildings of his time, a number of which still stand to this day. He also played an important role in the establishment of the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi), and was its first native-born leader.
Royal Danish Academy of Art in the context of Bertel Thorvaldsen
Albert Bertel Thorvaldsen (Danish: [ˈpɛɐ̯tl̩ ˈtsʰɒːˌvælˀsn̩]; sometimes given as Thorwaldsen; 19 November 1770 – 24 March 1844) was a Danish-Icelandic sculptor and medalist of international fame, who spent most of his life (1797–1838) in Italy. Thorvaldsen was born in Copenhagen into a working-class Danish/Icelandic family, and was accepted to the Royal Danish Academy of Art at the age of eleven. Working part-time with his father, who was a wood carver, Thorvaldsen won many honors and medals at the academy. He was awarded a stipend to travel to Rome and continue his education.
In Rome, Thorvaldsen made a name for himself as a sculptor. Maintaining a large workshop in the city, he worked in a heroic neo-classicist style. His patrons resided all over Europe.
Royal Danish Academy of Art in the context of Christian Frederik Hansen
Christian Frederik Hansen (29 February 1756 – 10 July 1845), known as C. F. Hansen, was the leading Danish architect between the late 18th century and the mid 19th century, and on account of his position at the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi) the most powerful person in artistic circles for many years. He was known as "Denmark’s Palladio" on account of the architectural style he promoted. His buildings are known for their simplicity, strength and scale.