Royal College of Art in the context of "London"

⭐ In the context of London, the Royal College of Art is primarily distinguished as a specialized institution focused on…

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⭐ Core Definition: Royal College of Art

The Royal College of Art (RCA) is a public research university in London, United Kingdom, with campuses in South Kensington, Battersea and White City. It is the only entirely postgraduate art and design university in the United Kingdom. It offers postgraduate degrees in art and design to students from over 60 countries.

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👉 Royal College of Art in the context of London

London is the capital and largest city of both England and the United Kingdom, with a population of 9.1 million people in 2024. Its wider metropolitan area is the largest in Western Europe, with a population of 15.1 million. London stands on the River Thames in southeast England, at the head of a 50-mile (80 km) tidal estuary down to the North Sea, and has been a major settlement for nearly 2,000 years. Its ancient core and financial centre, the City of London, was founded by the Romans as Londinium and has retained its medieval boundaries. The City of Westminster, to the west of the City of London, has been the centuries-long host of the national government and parliament. London grew rapidly in the 19th century, becoming the world's largest city at the time. Since the 19th century the name "London" has referred to the metropolis around the City of London, historically split between the counties of Middlesex, Essex, Surrey, Kent and Hertfordshire, which since 1965 has largely comprised the administrative area of Greater London, governed by 33 local authorities and the Greater London Authority.

As one of the world's major global cities, London exerts a strong influence on world art, entertainment, fashion, commerce, finance, education, healthcare, media, science, technology, tourism, transport and communications. London is Europe's largest city economy and one of the world's major financial centres. London hosts Europe's largest concentration of higher education institutions, comprising over 50 universities and colleges and enrolling more than 500,000 students as at 2023. It is home to several of the world's leading academic institutions: Imperial College London, internationally recognised for its excellence in natural and applied sciences, and University College London (UCL), a comprehensive research-intensive university, consistently rank among the top ten globally. Other notable institutions include King's College London (KCL), highly regarded in law, humanities and health sciences; the London School of Economics (LSE), globally prominent in social sciences and economics; and specialised institutions such as the Royal College of Art (RCA), Royal Academy of Music (RAM), the Royal Academy of Dramatic Art (RADA), the School of Oriental and African Studies (SOAS) and London Business School (LBS). It is the most-visited city in Europe and has the world's busiest city airport system. The London Underground is the world's oldest rapid transit system.

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In this Dossier

Royal College of Art in the context of Luke Fildes

Sir Samuel Luke Fildes KCVO RA (3 October 1843 – 28 February 1927) was a British painter and illustrator born in Liverpool and trained at the South Kensington and Royal Academy Schools. He was the grandson of the political activist Mary Fildes.

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Royal College of Art in the context of Albertopolis

51°29′53″N 0°10′36″W / 51.49806°N 0.17667°W / 51.49806; -0.17667

Albertopolis is the nickname given to the area centred on Exhibition Road in London, named after Prince Albert, consort of Queen Victoria. It contains many educational and cultural sites.

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Royal College of Art in the context of Letterform

A letterform, letter-form or letter form is a term used especially in typography, palaeography, calligraphy and epigraphy to mean a letter's shape. A letterform is a type of glyph, which is a specific, concrete way of writing an abstract character or grapheme.

For example, medieval scholars may discuss the particular handwritten letterforms that distinguish one script from another.

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Royal College of Art in the context of Gerald Holtom

Gerald Herbert Holtom (20 January 1914 – 18 September 1985) was an English artist and designer. A graduate of the Royal College of Art in London, in 1958 he designed the Nuclear Disarmament (ND) logo, which was adopted the same year by the British Campaign for Nuclear Disarmament (CND), and later became an international peace symbol.

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Royal College of Art in the context of Ridley Scott

Sir Ridley Scott (born 30 November 1937) is an English filmmaker. His work includes science fiction, crime, and historical epic films, with an atmospheric and highly concentrated visual style. He ranks among the highest-grossing directors, with his films grossing a cumulative $5 billion worldwide. He has received many accolades, including the BAFTA Fellowship for Lifetime Achievement in 2018, two Primetime Emmy Awards, and a Golden Globe Award. He was knighted by Queen Elizabeth II in 2003, and appointed a Knight Grand Cross by King Charles III in 2024.

An alumnus of the Royal College of Art in London, Scott began his career in television as a designer and director before moving into advertising as a director of commercials. He made his film directorial debut with The Duellists (1977) and gained wider recognition with his next film, Alien (1979). Though his films range widely in setting and period, they showcase memorable imagery of urban environments, spanning 2nd-century Rome in Gladiator (2000) and its 2024 sequel, 12th-century Jerusalem in Kingdom of Heaven (2005), medieval England in Robin Hood (2010), ancient Memphis in Exodus: Gods and Kings (2014), contemporary Mogadishu in Black Hawk Down (2002), futuristic cityscapes of Los Angeles in Blade Runner (1982), and extraterrestrial worlds in Alien, Prometheus (2012), The Martian (2015) and Alien: Covenant (2017).

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Royal College of Art in the context of Kate Greenaway

Catherine Greenaway (17 March 1846 – 6 November 1901) was an English Victorian artist and writer, known for her children's book illustrations. She received her education in graphic design and art between 1858 and 1871 from the Finsbury School of Art, the South Kensington School of Art, the Heatherley School of Art, and the Slade School of Fine Art. She began her career designing for the burgeoning greetings card market, producing Christmas and Valentine's cards. In 1879 wood-block engraver and printer Edmund Evans printed Under the Window, an instant best-seller, which established her reputation. Her collaboration with Evans continued throughout the 1880s and 1890s.

The depictions of children in imaginary 18th-century costumes in a Queen Anne style were extremely popular in England and internationally, sparking the Kate Greenaway style. Within a few years of the publication of Under the Window Greenaway's work was imitated in England, Germany, and the United States.

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