Rothenburg ob der Tauber in the context of "Long-exposure photo"

Long-exposure, time-exposure, or slow-shutter photography involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements. Long-exposure photography captures one element that conventional photography does not: an extended period of time.

The paths of bright moving objects become clearly visible—clouds form broad bands, vehicle lights draw bright streaks, stars leave trails in the sky, and water waves appear smooth. Only bright objects leave visible trails, whereas dark objects usually disappear. Boats in long exposures disappear during the daytime, but draw bright trails from their lights at night.

A fortified house or fortified mansion, from French maison forte [fr], is a type of building which developed in Europe during the Middle Ages, generally with significant fortifications added. During the earlier Roman period it was common for wealthy landowners to construct unfortified villas on their lands. After the fall of Rome, increased social instability and military conflict necessitated more austere, defensible types of structures. A castle is a type of particularly well-fortified residence. In English-language academic works of castellology, the French term maison-forte is also used, more seldom unhyphenated (maison forte).

Friedrich Herlin (c. 1425/30 – 1500) was a German painter. His earliest known work, depicting scenes from the Life of the Virgin, is dated 1459. A signature on an altarpiece in Nördlingen, dating it to 1462, identifies him as being from Rothenburg ob der Tauber, as do citizenship documents from 1467. Nevertheless, it is possible that he lived there for only a short time, and that his origins lie in Ulm, where a painter named Hans Herlin lived and worked from 1449 until 1468. Stylistically, he borrowed much from Rogier van der Weyden, indicating a great deal of familiarity with the art of the Netherlands and of Cologne. The sculpture attached to the altarpiece of 1462 in the St. George church, though officially listed as by the so-called "Master of Nördlingen", has been tentatively ascribed to Nicolaus Gerhaert, which if true would indicate extensive contacts to the highest artistic circles of the era.

Little else is known of Herlin, save that he died in Nördlingen in 1500.