Friedrich Herlin in the context of "Rothenburg ob der Tauber"

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⭐ Core Definition: Friedrich Herlin

Friedrich Herlin (c. 1425/30 – 1500) was a German painter. His earliest known work, depicting scenes from the Life of the Virgin, is dated 1459. A signature on an altarpiece in Nördlingen, dating it to 1462, identifies him as being from Rothenburg ob der Tauber, as do citizenship documents from 1467. Nevertheless, it is possible that he lived there for only a short time, and that his origins lie in Ulm, where a painter named Hans Herlin lived and worked from 1449 until 1468. Stylistically, he borrowed much from Rogier van der Weyden, indicating a great deal of familiarity with the art of the Netherlands and of Cologne. The sculpture attached to the altarpiece of 1462 in the St. George church, though officially listed as by the so-called "Master of Nördlingen", has been tentatively ascribed to Nicolaus Gerhaert, which if true would indicate extensive contacts to the highest artistic circles of the era.

Little else is known of Herlin, save that he died in Nördlingen in 1500.

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Friedrich Herlin in the context of Circumcision of Jesus

The circumcision of Jesus is an event from the life of Jesus, according to the Gospel of Luke chapter 2, which states:

The eight days after his birth is traditionally observed 1 January. This is in keeping with the Jewish law which holds that males should be circumcised eight days after birth during a Brit milah ceremony, at which they are also given their name. The circumcision of Christ became a very common subject in Christian art from the 10th century onwards, one of numerous events in the Life of Christ to be frequently depicted by artists. It was initially seen only as a scene in larger cycles, but by the Renaissance might be treated as an individual subject for a painting, or form the main subject in an altarpiece.

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