The Romantic hero is a literary archetype referring to a character that rejects established norms and conventions, has been rejected by society, and has themselves at the center of their own existence. The Romantic hero is often the protagonist in a literary work, and the primary focus is on the character's thoughts rather than their actions.
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👉 Romantic hero in the context of Harlequin
Harlequin (/ˈhɑːrləkwɪn/, Italian: Arlecchino, Italian: [arlekˈkiːno]; Lombard: Arlechin, Lombard: [arleˈki]) is the best-known of the comic servant characters (Zanni) from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by the Italian actor-manager Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630.
The Harlequin is characterised by his checkered costume. His role is that of a light-hearted, nimble, and astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbine, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "devil" character in medieval Passion Plays.
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Romantic hero in the context of Byronic hero
The Byronic hero is a variant of the Romantic hero as a type of character, named after the English Romantic poet Lord Byron. Historian and critic Lord Macaulay described the character as "a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection".
Both Byron's own persona as well as characters from his writings are considered to provide defining features to the character type.