Romance (prose fiction) in the context of "Adventure Stories"

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⭐ Core Definition: Romance (prose fiction)

Romance is "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", a narrative method that was contrasted to the new, main tradition of the 18th and 19th centuries: the novel, which realistically depicts life. Walter Scott described romance as a "kindred term" to novel, and many European languages do not distinguish between them (e.g., "le roman, der Roman, il romanzo" in French, German, and Italian, respectively).

There is a second type of romance: love romances in genre fiction, where the primary focus is on love and marriage. The term "romance" is now mainly used to refer to this type, and for other fiction it is "now chiefly archaic and historical" (OED). Works of fiction such as Wuthering Heights and Jane Eyre combine elements from both types.

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👉 Romance (prose fiction) in the context of Adventure Stories

Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction.

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Romance (prose fiction) in the context of Alexander Romance

The Alexander Romance is an account of the life and exploits of Alexander the Great. Of uncertain authorship, it has been described as "antiquity's most successful novel". The Romance describes Alexander the Great from his birth, to his succession of the throne of Macedon, his conquests including that of the Persian Empire, and finally his death. Although constructed around a historical core, the romance is mostly fantastical, including many miraculous tales and encounters with mythical creatures such as sirens or centaurs. In this context, the term Romance refers not to the meaning of the word in modern times but in the Old French sense of a novel or roman, a "lengthy prose narrative of a complex and fictional character" (although Alexander's historicity did not deter ancient authors from using this term).

It was widely copied and translated, accruing various legends and fantastical elements at different stages. The original version was composed in Ancient Greek some time before 338 AD, when a Latin translation was made, although the exact date is unknown. Some manuscripts pseudonymously attribute the text's authorship to Alexander's court historian Callisthenes, and so the author is commonly called Pseudo-Callisthenes.

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