Roman sculpture in the context of "Capitoline Museums"

The Celts (/kɛlts/ KELTS, see pronunciation for different usages) or Celtic peoples (/ˈkɛltɪk/ KEL-tik) were a collection of Indo-European peoples in Europe and Anatolia, identified by their use of Celtic languages and other cultural similarities. Major Celtic groups included the Gauls; the Celtiberians and Gallaeci of Iberia; the Britons, Picts, and Gaels of Britain and Ireland; the Boii; and the Galatians. The interrelationships of ethnicity, language and culture in the Celtic world are unclear and debated; for example over the ways in which the Iron Age people of Britain and Ireland should be called Celts. In current scholarship, 'Celt' primarily refers to 'speakers of Celtic languages' rather than to a single ethnic group.

The history of pre-Celtic Europe and Celtic origins is debated. The traditional "Celtic from the East" theory, says the proto-Celtic language arose in the late Bronze Age Urnfield culture of central Europe, named after grave sites in southern Germany, which flourished from around 1200 BC. This theory links the Celts with the Iron Age Hallstatt culture which followed it (c. 1200–500 BC), named for the rich grave finds in Hallstatt, Austria, and with the following La Tène culture (c. 450 BC onward), named after the La Tène site in Switzerland. It proposes that Celtic culture spread westward and southward from these areas by diffusion or migration. A newer theory, "Celtic from the West", suggests proto-Celtic arose earlier, was a lingua franca in the Atlantic Bronze Age coastal zone, and spread eastward. Another newer theory, "Celtic from the Centre", suggests proto-Celtic arose between these two zones, in Bronze Age Gaul, then spread in various directions. After the Celtic settlement of Southeast Europe in the 3rd century BC, Celtic culture reached as far east as central Anatolia, Turkey.

The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality.

Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in terra sigillata were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of propaganda, and have survived in enormous numbers.

The Galatians (Ancient Greek: Γαλάται, romanized: Galátai; Latin: Galatae, Galati, Gallograeci; Greek: Γαλάτες, romanized: Galátes, lit. 'Gauls') were a Celtic people dwelling in Galatia, a region of central Anatolia in modern-day Turkey surrounding Ankara during the Hellenistic period. They spoke the Galatian language, which was closely related to Gaulish, a contemporary Celtic language spoken in Gaul.

The Galatians were descended from Celts who had invaded Greece in the 3rd century BC. The original settlers of Galatia came through Thrace under the leadership of Leogarios and Leonnorios c. 278 BC. They consisted mainly of three Gaulish tribes, the Tectosages, the Trocmii, and the Tolistobogii, but there were also other minor tribes. In 25 BC, Galatia became a province of the Roman Empire, with Ankara (Ancyra) as its capital.

The reign of Cleopatra VII of the Ptolemaic Kingdom of Egypt began with the death of her father, Ptolemy XII Auletes, by March 51 BC. It ended with her suicide in August 30 BC, which also marked the conclusion of the Hellenistic period and the annexation of Egypt into a Roman province. In the style of her Greek predecessors, Cleopatra reigned over Egypt and other territories as an absolute monarch, although the Roman Republic frequently interfered in its internal affairs. Her personal rule of Egypt was characterized by a continued reliance on agriculture, extensive trade and conflict with other states, the tackling of corruption, strategic management of the bureaucracy, and ambitious building projects.

Cleopatra initially acceded to the throne alongside her younger brother Ptolemy XIII, but a fallout between them led to open civil war. Further chaos ensued when the Roman consul Julius Caesar pursued his rival Pompey into Ptolemaic Egypt, a Roman client state. Upon arrival, Caesar discovered that Pompey had been assassinated on the orders of Ptolemy XIII. Caesar attempted to reconcile the siblings, but a discontent Ptolemy XIII and his adviser Potheinos raised forces against Caesar and Cleopatra. Reinforcements lifted the siege in early 47 BC, and Ptolemy XIII died shortly afterwards in the Battle of the Nile. Arsinoe IV (Cleopatra's younger sister and a rival claimant to the throne) was exiled, and Caesar, now dictator, declared Cleopatra and her younger brother Ptolemy XIV co-rulers of Egypt. However, Caesar maintained a private affair with Cleopatra that produced a son, Caesarion, before he departed Alexandria for Rome.

The Winged Victory of Samothrace, or the Niké of Samothrace, is a votive monument originally discovered on the island of Samothrace in the northeastern Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BC (190 BC). It is composed of a statue representing the goddess Nike (Victory), whose head and arms are missing, and a base in the shape of a ship's bow.

The total height of the monument is 5.57 metres (18 ft 3 in) including the socle; the statue alone measures 2.75 metres (9 ft 0 in). The sculpture is one of a small number of major Hellenistic statues surviving in the original, rather than Roman copies.

Heroic nudity or ideal nudity is a concept in classical scholarship to describe the un-realist use of nudity in classical sculpture to show figures who may be heroes, deities, or semi-divine beings. This convention began in Archaic and Classical Greece and continued in Hellenistic and Roman sculpture. The existence or place of the convention is the subject of scholarly argument.

In ancient Greek art, warriors on reliefs and painted vases were often shown as nude in combat, which was not in fact the Greek custom, and in other contexts. Idealized young men (but not women) were carved in kouros figures, and cult images in the temples of some male deities were nude. Later, portrait statues of the rich, including Roman imperial families, were given idealized nude bodies; by now this included women. The bodies were always young and athletic; old bodies are never seen. Pliny the Elder noted the introduction of the Greek style to Rome.