Rock cut architecture in the context of "Eastern Thousand Buddha Caves"

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⭐ Core Definition: Rock cut architecture

Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. In India and China, the terms cave and cavern are often applied to this form of man-made architecture, but caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified.

Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples (like those in India), tombs, and dwellings (like those in Cappadocia).

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👉 Rock cut architecture in the context of Eastern Thousand Buddha Caves

The Eastern Thousand Buddha Caves (simplified Chinese: 东千佛洞; traditional Chinese: 東千佛洞; pinyin: Dōng Qiānfó Dòng) is a series of rock cut Buddhist caves in Guazhou County, Gansu, northwest China. Of the twenty-three caves excavated from the conglomerate rock, eight have murals and sculptures dating from the Western Xia and Yuan dynasty; many of the statues were reworked during the Qing dynasty. The caves extend in two tiers along the cliffs that flank both sides of a now dry river gorge, fourteen on the west bank (five with decoration) and nine on the east (three with decoration). Together with the Mogao Caves, Western Thousand Buddha Caves, Yulin Caves, and Five Temple Caves, the Eastern Thousand Buddha Caves is one of the five grotto sites in the vicinity of Dunhuang managed by the Dunhuang Academy.

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Rock cut architecture in the context of Kizil Caves

The Kizil Caves (also romanized as Qizil or Qyzyl; Uyghur: قىزىل مىڭ ئۆي, lit.'The Thousand Red Houses'; Chinese: 克孜尔千佛洞; lit. 'Kizil Caves of the Thousand Buddhas') are a set of Buddhist rock-cut caves located near Kizil Township (克孜尔乡; Kèzī'ěr Xiāng) in Baicheng County, Aksu Prefecture, Xinjiang, China. The site is located on the northern bank of the Muzat River 65 kilometres (40 miles) (75 km; 50 miles by road) west of Kucha. This area was a commercial hub of the Silk Road. The caves have an important role in Central Asian art and in the Silk Road transmission of Buddhism, and are said to be the earliest major Buddhist cave complex in China, with development occurring between the 3rd and 8th centuries CE. The caves of Kizil are the earlier of their type in China, and their model was later adopted in the construction of Buddhist caves further east. Another name for the site has been Ming-oi (明屋), although this term is now mainly used for the site of Shorchuk to the east.

The Kizil Caves were inscribed in 2014 on the UNESCO World Heritage List as part of the Silk Roads: the Routes Network of Chang'an-Tianshan Corridor World Heritage Site.

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Rock cut architecture in the context of Five Temple Caves

The Five Temple Caves (simplified Chinese: 五个庙石窟; traditional Chinese: 五個廟石窟; pinyin: Wǔgèmiào shíkū) is a series of rock cut Buddhist caves in Subei Mongol Autonomous County, Gansu, northwest China. The complex once numbered twenty-two caves but over the centuries the number was reduced to five, of which four remain today, in a gorge on the left bank of the Danghe River (党河). On the basis of their structure and iconography, one of the caves is dated to the Northern Wei, the other three to the Five Dynasties and Song. The complex lies some 80 kilometres (50 mi) to the south of the Mogao Caves, and together with these, the Western Thousand Buddha Caves, Eastern Thousand Buddha Caves, and Yulin Caves, is one of the five grotto sites in the vicinity of Dunhuang managed by the Dunhuang Academy. In 2013, in recognition of their significance to China, the Five Temple Caves were designated by SACH a Major Historical and Cultural Site Protected at the National Level.

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Rock cut architecture in the context of Elephanta Caves

The Elephanta Caves form a collection of cave temples predominantly dedicated to the Hindu god Shiva; UNESCO has designated them as a World Heritage Site. They are located on Elephanta Island, or Gharapuri (literally meaning "the city of the caves"), in Mumbai Harbour, 10 kilometres (6.2 mi) east of Mumbai in the Indian state of Maharashtra. The island, about 2 kilometres (1.2 mi) west of the Jawaharlal Nehru Port, features five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE, and two Buddhist caves with water tanks.

The Elephanta Caves contain rock-cut stone sculptures, mostly in high relief, that show a syncretism of Hindu—Buddhist ideas and iconography. The caves are hewn from solid basalt rock. Apart from a few exceptions, much of the artwork has been defaced and damaged. The main temple's orientation as well as the relative location of other temples form a mandala pattern. The carvings narrate Hindu legends, with the large monolithic 5.45 metres (17.9 ft) Trimurti Sadashiva (three-faced Shiva), Nataraja (Lord of the dance) and Yogishvara (Lord of Yogis) being the most celebrated.

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Rock cut architecture in the context of Vardzia

Vardzia (Georgian: ვარძია [vaɾdzia]) is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Kura River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred meters and in up to nineteen tiers. The monastery was an important cultural center, a place of significant literary and artistic work.

The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List.

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