The rock drawings in Valcamonica (Camonica Valley) are located in the Province of Brescia, Italy, and constitute the largest collections of prehistoric petroglyphs in the world. The collection was recognized by UNESCO in 1979 and was Italy's first recognized World Heritage Site. UNESCO has formally recognized more than 140,000 figures and symbols, but new discoveries have increased the number of catalogued incisions to between 200,000 and 300,000. The petroglyphs are spread on all surfaces of the valley, but concentrated in the areas of Darfo Boario Terme, Capo di Ponte, Nadro, Cimbergo and Paspardo.
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👉 Rock Drawings in Valcamonica in the context of Italian art
Since ancient times, the Italian peninsula has been home to diverse civilizations: the Greeks in the south, the Etruscans in the centre, and the Celts in the north. The numerous Rock Drawings in Valcamonica date back as far as 8,000 BC. Rich artistic remains survive from the Etruscan civilization, including thousands of tombs, as well as from the Greek colonies at Paestum, Agrigento, and other sites. With the rise of Ancient Rome, Italy became the cultural and political centre of a vast empire. Roman ruins across the country are extraordinarily rich, from the grand imperial monuments of Rome to the remarkably preserved everyday architecture of Pompeii and neighbouring sites.
Following the fall of the Western Roman Empire, Italy remained an important artistic centre throughout the Middle Ages. The country saw significant contributions to Carolingian art, Ottonian art, and Norman art, as well as the flourishing of Byzantine art in cities such as Ravenna.
In this Dossier
- ⭐ Core Definition: Rock Drawings in Valcamonica
- 👉 Rock Drawings in Valcamonica in the context of Italian art
- Rock Drawings in Valcamonica in the context of Camunni
- Rock Drawings in Valcamonica in the context of List of World Heritage Sites in Italy
- Rock Drawings in Valcamonica in the context of Camunian rose
- Rock Drawings in Valcamonica in the context of Val Camonica
- Rock Drawings in Valcamonica in the context of Cernunnos
Rock Drawings in Valcamonica in the context of Camunni
The Camuni or Camunni were an ancient population located in Val Camonica during the Iron Age (1st millennium BC); the Latin name Camunni was attributed to them by the authors of the 1st century. They are also called ancient Camuni, to distinguish them from the current inhabitants of the valley (the Camuni or Camunians). The Camunni were among the greatest producers of rock art in Europe; their name is linked to the famous rock engravings of Valcamonica.
A people of obscure origin, they lived in a region, the Val Camonica, that had already been the site of a cultural tradition dating back to the early Neolithic. The Camunni are mentioned by classical historiographical sources from the 1st century BC, corresponding to the Iron Age in Val Camonica (from the 12th century BC until about Romanization). In ancient Greek, Strabo referred to them as Καμοῦνοι (Kamounoi), while Cassius Dio called them Καμούννιοι (Kamounnioi).
Rock Drawings in Valcamonica in the context of List of World Heritage Sites in Italy
The United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Sites are places of importance to cultural or natural heritage as described in the UNESCO World Heritage Convention, established in 1972. Cultural heritage consists of monuments (such as architectural works, monumental sculptures, or inscriptions), groups of buildings, and sites (including archaeological sites). Natural features (consisting of physical and biological formations), geological and physiographical formations (including habitats of threatened species of animals and plants), and natural sites which are important from the point of view of science, conservation or natural beauty, are defined as natural heritage. Italy ratified the convention on June 23, 1978.
Italy has 61 listed sites, making it the state party with the most World Heritage Sites, just above China (60) and Germany (55). The first site in Italy, the Rock Drawings in Valcamonica, was listed at the 3rd Session of the World Heritage Committee, held in Cairo and Luxor, Egypt, in 1979. Twenty-five Italian sites were added during the 1990s, including 10 sites added at the 21st session held in Naples in 1997. Italy has served as a member of the World Heritage Committee five times, 1978–1985, 1987–1993, 1993–1999, 1999–2001, and 2021–2025.
Rock Drawings in Valcamonica in the context of Camunian rose
The Camunian rose (Italian: rosa camuna; Lombard: roeusa camuna/rösa camüna) is the name given to a particular symbol represented among the rock carvings of Camonica Valley (Brescia, Italy). It consists of a meandering closed line that winds around nine cup marks. It can be symmetrical, asymmetrical or form a swastika.
Rock Drawings in Valcamonica in the context of Val Camonica
Val Camonica or Valcamonica (Eastern Lombard: Al Camònega), also Valle Camonica and anglicized as Camonica Valley, is one of the largest valleys of the central Alps, in eastern Lombardy, Italy. It extends about 90 kilometres (56 mi) from the Tonale Pass to Corna Trentapassi, in the commune of Pisogne near Lake Iseo. It has an area of about 1,335 km (515 sq mi) and 118,323 inhabitants. The River Oglio runs through it, rising at Ponte di Legno and flowing into Lake Iseo between Pisogne and Costa Volpino.
Almost all of the valley is included in the administrative territory of the province of Brescia, except for Lovere, Rogno, Costa Volpino and the Val di Scalve, which belong to the province of Bergamo. Since 1979, the rock drawings along the valley have been a UNESCO World Heritage Site, while the entire valley became a UNESCO World Biosphere Reserve in 2018.
Rock Drawings in Valcamonica in the context of Cernunnos
Cernunnos is a Celtic god whose name is only clearly attested once, on the 1st-century CE Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.
Through the Pillar of the Boatmen, the name "Cernunnos" has been used to identify the members of an iconographic cluster, consisting of depictions of an antlered god (often aged and with crossed legs) associated with torcs, ram-horned (or ram-headed) serpents, symbols of fertility, and wild beasts (especially deer). The use of the name this way is common, though not uncontroversial. As many as 25 depictions of the Cernunnos-type have been identified. Though this iconographic group is best attested in north-eastern Gaul, depictions of the god have been identified as far off as Italy (Val Camonica) and Denmark (Gundestrup).