Robin Lane Fox in the context of "Classics"

Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, "hero" (ἥρως, hḗrōs) refers to the mortal offspring of a human and a god. By the historical period, the word came to mean specifically a dead man, venerated and propitiated at his tomb or at a designated shrine, because his fame during life or his unusual manner of death gave him power to support and protect the living. A hero was more than human but less than a god, and various kinds of minor supernatural figures came to be assimilated to the class of heroes; the distinction between a hero and a god was less than certain, especially in the case of Heracles, the most prominent, but atypical hero.

The grand ruins and tumuli (large burial mounds) remaining from the Bronze Age gave the pre-literate Greeks of the 10th century BC a sense of a once grand and now vanished age; they reflected this in the oral epic tradition, which would become famous by way of works such as the Iliad and the Odyssey. Copious renewed offerings begin to be represented, after a hiatus, at sites like Lefkandi, even though the names of the grandly buried dead were hardly remembered. "Stories began to be told to individuate the persons who were now believed to be buried in these old and imposing sites", observes Robin Lane Fox. In other words, this is a clear cut example of an origin story for Heroes and what they meant to the Ancient Greeks.

Campaspe (/kæmˈpæspiː/; Greek: Καμπάσπη, Kampaspē), or Pancaste (/pæŋˈkæstiː/; Greek: Παγκάστη, Pankastē; also Pakate), was a supposed mistress of Alexander the Great and a prominent citizen of Larissa in Thessaly. No Campaspe appears in the five major sources for the life of Alexander and the story may be apocryphal. The biographer Robin Lane Fox traces her legend back to the Roman authors Pliny (Natural History), Lucian of Samosata and Aelian's Varia Historia. Aelian surmised that she initiated the young Alexander in love.

According to tradition, she was painted by Apelles, who had the reputation in antiquity for being the greatest of painters. The episode occasioned an apocryphal exchange that was reported in Pliny's Natural History: "Seeing the beauty of the nude portrait, Alexander saw that the artist appreciated Campaspe (and loved her) more than he. And so Alexander kept the portrait, but presented Campaspe to Apelles." Fox describes this bequest as "the most generous gift of any patron and one which would remain a model for patronage and painters on through the Renaissance." Apelles also used Campaspe as a model for his most celebrated painting of Aphrodite "rising out of the sea", the iconic Venus Anadyomene, "wringing her hair, and the falling drops of water formed a transparent silver veil around her form".