Pliny's Natural History in the context of "Campaspe"

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⭐ Core Definition: Pliny's Natural History

The Natural History (Latin: Naturalis historia) is a Latin work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the Natural History compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopaedic in scope, but its structure is not like that of a modern encyclopaedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger.

The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiology, zoology, botany, agriculture, horticulture, pharmacology, mining, mineralogy, sculpture, art, and precious stones.

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👉 Pliny's Natural History in the context of Campaspe

Campaspe (/kæmˈpæsp/; Greek: Καμπάσπη, Kampaspē), or Pancaste (/pæŋˈkæst/; Greek: Παγκάστη, Pankastē; also Pakate), was a supposed mistress of Alexander the Great and a prominent citizen of Larissa in Thessaly. No Campaspe appears in the five major sources for the life of Alexander and the story may be apocryphal. The biographer Robin Lane Fox traces her legend back to the Roman authors Pliny (Natural History), Lucian of Samosata and Aelian's Varia Historia. Aelian surmised that she initiated the young Alexander in love.

According to tradition, she was painted by Apelles, who had the reputation in antiquity for being the greatest of painters. The episode occasioned an apocryphal exchange that was reported in Pliny's Natural History: "Seeing the beauty of the nude portrait, Alexander saw that the artist appreciated Campaspe (and loved her) more than he. And so Alexander kept the portrait, but presented Campaspe to Apelles." Fox describes this bequest as "the most generous gift of any patron and one which would remain a model for patronage and painters on through the Renaissance." Apelles also used Campaspe as a model for his most celebrated painting of Aphrodite "rising out of the sea", the iconic Venus Anadyomene, "wringing her hair, and the falling drops of water formed a transparent silver veil around her form".

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Pliny's Natural History in the context of Hegias of Athens

Hegias or Hegesias of Athens (Ancient Greek: Ἡγησίας) was a famous sculptor of Athens, a member of the Late Archaic school of the generation before Pheidias. No surviving work can be securely identified as his, though Pliny mentions a Pyrrhus Supported by Pallas Athena.

Pausanias (8.42.4 and 8.42.10) mentions Hegias as the contemporary of Onatas and of Agelatus of Argos. Lucian of Samosata mentions Hegesias, in common with Kritios and Nesiotes, as belonging to the Archaic school, whose productions were constrained, harsh, stiff and rigid, though accurate in the outline. Quintilian says of Hegesias and Callon that their works were harsh and resembled the Etruscan style. (Smith). Pliny's Natural History (vol. xxxiv.8.19) places Hegias among the rivals of Phidias.

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