Robert Adam in the context of "John Clerk of Eldin"

Kenwood House (also known as the Iveagh Bequest) is a stately home in Hampstead, London, on the northern boundary of Hampstead Heath. The present house, built in the late 17th century, was remodelled in the 18th century for William Murray, 1st Earl of Mansfield by Scottish architect Robert Adam, serving as a residence for the Earls of Mansfield until the 20th century.

The house and part of the grounds were bought from the 6th Earl of Mansfield in 1925 by Edward Guinness, 1st Earl of Iveagh, and donated to the nation in 1927. The entire estate came under ownership of the London County Council and was open to the public by the end of the 1920s. It remains a popular local tourist attraction.

Croome Court is a mid-18th-century Neo-Palladian mansion surrounded by extensive landscaped parkland at Croome D'Abitot, near Upton-upon-Severn in south Worcestershire, England. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and they were Brown's first landscape design and first major architectural project. Some of the mansion's rooms were designed by Robert Adam. St Mary Magdalene's Church, Croome D'Abitot that sits within the grounds of the park is now owned and cared for by the Churches Conservation Trust.

The mansion house is owned by Croome Heritage Trust and leased to the National Trust, which operates it as a tourist attraction. The National Trust owns the surrounding parkland, which is also open to the public.

Agostino Brunias (c. 1730 – 2 April 1796) was an Italian painter who was primarily active in the West Indies. Born in Rome around 1730, Brunias spent his early career as a painter after graduating from the Accademia di San Luca. After he befriended prominent Scottish architect Robert Adam and accompanied him back to Britain, Brunias left for the British West Indies to continue his career in painting under the tutelage of Sir William Young. Although he was primarily commissioned to paint the various planter families and their plantations in the West Indies, he also painted several scenes featuring free people of colour and cultural life in the West Indies. Brunias spent most of his West Indian career on the island of Dominica, where he would die in 1796. Historians have made disparate assessments of Brunias's works; some praised his subversive depiction of West Indian culture, while others claimed it romanticised the harshness of plantation life. Haitian revolutionary Toussaint Louverture was a prominent admirer of his work.

The Bath Assembly Rooms, designed by John Wood, the Younger in 1769, are a set of assembly rooms located in the heart of the World Heritage City of Bath in England which are now open to the public as a visitor attraction. They are designated as a Grade I listed building.

During the Georgian era Bath became fashionable, and the architects John Wood, the Elder, and his son laid out new areas of housing for residents and visitors. Assembly rooms had been built early in the 18th century, but a new venue for balls, concerts and gambling was envisaged in the area between Queen Square, The Circus and the Royal Crescent. Robert Adam submitted a proposal that was rejected as too expensive. John Wood, the Younger raised funding through a tontine, and construction started in 1769. The new or upper assembly rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by Jane Austen and Charles Dickens, along with the nobility of the time.

Great Pulteney Street is a grand thoroughfare that connects Bathwick on the east of the River Avon with the City of Bath, England via the Robert Adam designed Pulteney Bridge. Viewed from the city side of the bridge the road leads directly to the Holburne Museum of Art that was originally the Sydney Hotel where tea rooms, card rooms, a concert room and a ballroom were installed for the amusement of Bath's many visitors.

Pulteney Bridge is a bridge over the River Avon in Bath, England. It was completed by 1774, and connected the city with land in Bathwick which the Pulteney family wished to develop. Designed by Robert Adam in a Palladian style, it is one of only four bridges in the world to have shops across its full span on both sides. It has been designated as a Grade I listed building.The bridge is named after Frances Pulteney, wife of the Scottish lawyer and politician Sir William Pulteney, 5th Baronet. Frances was a first cousin once removed of William Pulteney, 1st Earl of Bath. She inherited the Earl's substantial fortune in Somerset after his death in 1764. The rural Bathwick estate, which Frances and William inherited in 1767, was across the river from the city and could be reached only by ferry. William made plans to create a new town, which would become a suburb to the historic city of Bath, but first he needed a better river crossing.

Within 20 years of its construction, alterations were made that expanded the shops and changed the façades. By the end of the 18th century, it had been damaged by floods, but was rebuilt to a similar design. Over the next century alterations to the shops included cantilevered extensions on the bridge's north face. In the 20th century, several schemes were carried out to preserve the bridge and partially return it to its original appearance, enhancing its appeal as a tourist attraction.

The Temple of Jupiter (Croatian: Jupiterov hram) is a temple in Split, Croatia dedicated to the Ancient Roman god Jupiter. It is located in the western part of Diocletian's Palace near the Peristyle, the central square of the imperial complex. It was built between 295 and 305, during the construction of the Palace, and was probably turned into a Baptistery of St. John the Baptist in the 6th century, at the same time when the crypt dedicated to St. Thomas was built. Before the entrance to the Temple is one of the twelve sphinxes brought from Egypt by Emperor Diocletian. Scottish architect Robert Adam considered this temple to be one of Europe's most beautiful monuments.

Sir John Soane's Museum is a house museum, located next to Lincoln's Inn Fields in Holborn, London, which was formerly the home of neo-classical architect John Soane. It holds many drawings and architectural models of Soane's projects and a large collection of paintings, sculptures, drawings, and antiquities that he acquired over many years. The museum was established during Soane's lifetime by a private act of Parliament, Sir John Soane's Museum Act 1833 (3 & 4 Will. 4. c. 4 Pr.), which took effect on his death in 1837. Soane engaged in this lengthy parliamentary campaign in order to disinherit his son, whom he disliked intensely. The act stipulated that on Soane's death, his house and collections would pass into the care of a board of trustees acting on behalf of the nation, and that they would be preserved as nearly as possible exactly in the state they were at his death. The museum's trustees remained completely independent, relying only on Soane's original endowment, until 1947. Since then, the museum has received an annual Grant-in-Aid from the British Government via the Department for Culture, Media and Sport. Only 90 visitors are allowed in the museum at a time.

From 1988 onwards, a programme of restoration was carried out, with spaces such as the drawing rooms, picture room, study and dressing room, picture room recess and others, restored to their original colour schemes and in most cases having their original sequences of objects reinstated. Soane's three courtyards were also restored with his pasticcio (a column of architectural fragments) being reinstated in the monument court at the heart of the museum. In 1997, the trustees purchased the main house at No. 14 with the help of the Heritage Lottery Fund. The house was restored and has enabled the museum to expand its educational activities, to re-locate its research library, and create a Robert Adam Study Centre where Soane's collection of 9,000 Robert Adam drawings is housed.