Richard II of England in the context of "Anglo-Scottish Wars"

An emblem is an abstract or representational pictorial image that represents a concept, like a moral truth, or an allegory, or a person, like a monarch or saint.

International Gothic is a period of Gothic art that began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century.

The spread of ideas and portable works, such as illuminated manuscripts throughout Europe led to consensus among artists and their patrons that considerably reduced variation in national styles. The main influences were northern France, the Duchy of Burgundy, Flanders and Brabant, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style.

Westminster Hall is a medieval great hall which forms part of the Palace of Westminster in London. It was built in 1097 for William II, and at that time was one of the largest halls in Europe. It is particularly notable for its hammerbeam roof, which was commissioned for Richard II in 1393 and built by the royal carpenter, Hugh Herland. At the same time the rest of the hall was remodelled by the master mason Henry Yevele. The hall survived the fire of 1834 and bombing in World War II and, in spite of various restorations, has maintained its medieval structure and many of its features.

The hall has served a variety of ceremonial and administrative functions throughout its history. From the twelfth to the nineteenth centuries it was home to the courts of King's Bench, Chancery, and Common Pleas. It was the scene of important state trials, including those of Thomas More,Guy Fawkes and King Charles I. Banquets and royal entertainments were hosted in the hall, with the last coronation banquet being that of George IV in 1821. Since the twentieth century, the hall has been the venue for the lyings in state of state funerals. It is used for special addresses by Parliament to the monarch, and is on rare occasions the venue for joint addresses to the two chambers of Parliament.

The Wilton Diptych (made c. 1395–1399) is a small portable diptych of two hinged panels, painted on both sides, now in the National Gallery, London. It is an extremely rare survival of a late medieval religious panel painting from England. The diptych was painted for King Richard II of England, who is depicted kneeling before the Virgin and Child in what is known as a donor portrait. He is presented to them by (left to right) the English saints King Edmund the Martyr, King Edward the Confessor and patron saint, John the Baptist. The painting is an outstanding example of the International Gothic style, and the nationality of the unknown artist is probably French or English.

The White Hart ("hart" being an archaic word for a mature stag) was the personal badge of Richard II, who probably derived it from the arms of his mother, Joan "The Fair Maid of Kent", heiress of Edmund of Woodstock. It may also have been a pun on his name, as in "Rich-hart". In the Wilton Diptych (National Gallery, London), which is the earliest authentic contemporary portrait of an English king, Richard II wears a gold and enamelled white hart jewel, and even the angels surrounding the Virgin Mary all wear white hart badges. In English Folklore, the white hart is associated with Herne the Hunter.

There are still many inns and pubs in England that sport a sign of the white hart, the fifth most popular name for a pub.

The Life and Death of King Richard the Second (1595), also Richard II, is a Shakespearean history play about the lifetime and reign of King Richard II of England (r. 1377–1399). As a dramatised period history of the English monarchy, Richard II chronicles the machinations of the noblemen of the royal court who conspire, precipitate, and realise the downfall and death of the King of England.

As the first work in the Henriad tetralogy of English history plays, the political narrative of Richard II is thematically followed throughout the stories of Henry IV, Part 1, Henry IV, Part 2, and Henry V, which also are histories of the reigns of his royal successors to the Throne of England. Although the First Folio (1623) classifies The Life and Death of Richard the Second as an English history play, the earlier Quarto edition (1597) classifies Richard II as a tragedy, under the title The Tragedie of King Richard the Second.

Henry IV, Part 1 (often written as 1 Henry IV) is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the battle at Homildon Hill late in 1402, and ending with King Henry's victory in the Battle of Shrewsbury in mid-1403. In parallel to the political conflict between King Henry and a rebellious faction of nobles, the play depicts the escapades of King Henry's son, Prince Hal (the future King Henry V), and his eventual return to court and favour.

Henry IV, Part 1 is the first of Shakespeare's two plays that deal with the reign of Henry IV (the other being Henry IV, Part 2), and the second play in the Henriad, a modern designation for the tetralogy of plays that deal with the successive reigns of Richard II, Henry IV, and Henry V. From its first performance on, it has been an extremely popular work both with the public and critics.

Popular revolts in late medieval Europe are historical uprisings and rebellions by peasants in the countryside, or the burgesses in towns, against nobles, abbots and kings during the upheavals between 1300 and 1500, part of a larger "Crisis of the Late Middle Ages". Although sometimes known as 'peasant revolts', the phenomenon of popular uprisings was of broad scope and not just restricted to peasants. In Central Europe and the Balkan region, these rebellions expressed, and helped cause, a political and social disunity paving the way for the expansion of the Ottoman Empire.