Richard II (play) in the context of "Henriad"

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⭐ Core Definition: Richard II (play)

The Life and Death of King Richard the Second (1595), also Richard II, is a Shakespearean history play about the lifetime and reign of King Richard II of England (r. 1377–1399). As a dramatised period history of the English monarchy, Richard II chronicles the machinations of the noblemen of the royal court who conspire, precipitate, and realise the downfall and death of the King of England.

As the first work in the Henriad tetralogy of English history plays, the political narrative of Richard II is thematically followed throughout the stories of Henry IV, Part 1, Henry IV, Part 2, and Henry V, which also are histories of the reigns of his royal successors to the Throne of England. Although the First Folio (1623) classifies The Life and Death of Richard the Second as an English history play, the earlier Quarto edition (1597) classifies Richard II as a tragedy, under the title The Tragedie of King Richard the Second.

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👉 Richard II (play) in the context of Henriad

In Shakespearean scholarship, the Henriad refers to a group of William Shakespeare's history plays depicting the rise of the English kings. It is sometimes used to refer to a group of four plays (a tetralogy), but some sources and scholars use the term to refer to eight plays. In the 19th century, Algernon Charles Swinburne used the term to refer to three plays, but that use is not current.

In one sense, the Henriad refers to: Richard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V – with the implication that these four plays are Shakespeare's epic, and that Prince Hal, who later becomes Henry V, is the epic hero. (This group may also be referred to as the "second tetralogy" or "second Henriad".)

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Richard II (play) in the context of Shakespearean history

In the First Folio (1623), the plays of William Shakespeare were in three categories: (i) comedies, (ii) histories, and (iii) tragedies. Alongside the history plays of his Renaissance playwright contemporaries, the histories of Shakespeare define the theatrical genre of history plays. The historical plays also are biographies of the English kings of the previous four centuries, and include the plays King John, Edward III, and Henry VIII, and a continual sequence of eight plays known as the Henriad, for the protagonist Prince Hal, the future King Henry V of England.

The chronology of Shakespeare's plays indicates that the first tetralogy was written in the early 1590s, and discusses the politics of the Wars of the Roses; the four plays are Henry VI, parts I, II, and III, and The Tragedy of Richard the Third. The second tetralogy was completed in 1599, and comprises the history plays Richard II, Henry IV, parts I and II, and Henry V.

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Richard II (play) in the context of Henry V (play)

The Life of Henry the Fifth, often shortened to Henry V, is a history play by William Shakespeare, believed to have been written circa 1599. It tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. In the First Quarto text, it was titled The Cronicle History of Henry the fift, and The Life of Henry the Fifth in the First Folio text.

The play is the final part of a tetralogy, preceded by Richard II, Henry IV, Part 1, and Henry IV, Part 2. The original audiences would thus have already been familiar with the title character, whom the Henry IV plays depicted as a wild, undisciplined young man. In Henry V, the young prince has matured. He embarks on an expedition to France and, despite his army being greatly outnumbered, defeats the French at Agincourt.

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Richard II (play) in the context of Henry IV, Part 2

Henry IV, Part 2 is a history play by William Shakespeare believed to have been written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V.

The play is often seen as an extension of aspects of Henry IV, Part 1, rather than a straightforward continuation of the historical narrative, placing more emphasis on the highly popular character of Falstaff and introducing other comic figures as part of his entourage, including Ancient Pistol, Doll Tearsheet, and Justice Robert Shallow. Several scenes specifically parallel episodes in Part 1.

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Richard II (play) in the context of Ian McKellen

Sir Ian Murray McKellen (born 25 May 1939) is an English actor. He has played roles on the screen and stage in genres ranging from Shakespearean dramas and modern theatre to popular fantasy and science fiction. He is regarded as a British cultural icon and was knighted by Queen Elizabeth II in 1991. He has received numerous accolades, including a Tony Award, six Olivier Awards, and a Golden Globe Award as well as nominations for two Academy Awards, five BAFTA Awards and five Emmy Awards.

McKellen made his stage debut in 1961 at the Belgrade Theatre as a member of its repertory company, and in 1965 made his first West End appearance. In 1969, he was invited to join the Prospect Theatre Company to play the lead parts in Shakespeare's Richard II and Marlowe's Edward II. In the 1970s McKellen became a stalwart of the Royal Shakespeare Company and the National Theatre of Great Britain. He has earned five Olivier Awards for his roles in Pillars of the Community (1977), The Alchemist (1978), Bent (1979), Wild Honey (1984), and Richard III (1995). McKellen made his Broadway debut in The Promise (1965). He went on to receive the Tony Award for Best Actor in a Play for his role as Antonio Salieri in Amadeus (1980). He was further nominated for Ian McKellen: Acting Shakespeare (1984). He returned to Broadway in Wild Honey (1986), Dance of Death (1990), No Man's Land (2013), and Waiting for Godot (2013), the latter two being a joint production with Patrick Stewart.

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