Richard Eyre in the context of "Tony Award for Best Director"

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⭐ Core Definition: Richard Eyre

Sir Richard Charles Hastings Eyre CH CBE (born 28 March 1943) is an English film, theatre, television and opera director. Eyre has received numerous accolades including three Laurence Olivier Awards as well as nominations for six BAFTA Awards and two Tony Awards. He was appointed a Commander of the Order of the British Empire (CBE) in the 1992 News Year Honours, and knighted in the 1997 New Year Honours.

Eyre started his career as the associate director at the Royal Lyceum Theatre, Edinburgh from 1967 to 1972 before becoming the artistic director of the Royal National Theatre from 1987 to 1999. He has directed numerous West End productions earning three Laurence Olivier Awards for Best Director for Guys and Dolls (1982), King Lear (1998), and Hedda Gabler (2006). He was also Olivier-nominated for Racing Demon (1989), Skylight (1995), John Gabriel Borkman (1997), Vincent in Brixton (2003), Mary Poppins (2005), and Ghosts (2014). For his work on Broadway he received Tony Award for Best Director nominations for The Judas Kiss (1998) and The Crucible (2002).

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Richard Eyre in the context of Philip Glass

Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. He described himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically.

Glass founded the Philip Glass Ensemble in 1968. He has written 15 operas, numerous chamber operas and musical theatre works, 14 symphonies, 12 concertos, nine string quartets, various other chamber music pieces, and many film scores. He has received nominations for four Grammy Awards, including two for Best Contemporary Classical Composition for Satyagraha (1987) and String Quartet No. 2 (1988). He has received three Academy Award for Best Original Score nominations for Martin Scorsese's Kundun (1997), Stephen Daldry's The Hours (2002), and Richard Eyre's Notes on a Scandal (2006). He also composed the scores for Mishima: A Life in Four Chapters (1985), Hamburger Hill (1987), The Thin Blue Line (1988), Candyman (1992), The Truman Show (1998), and The Illusionist (2006).

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Richard Eyre in the context of Benedict Cumberbatch

Benedict Timothy Carlton Cumberbatch (born 19 July 1976) is an English actor. He has received various accolades, including a BAFTA TV Award, a Primetime Emmy Award and a Laurence Olivier Award, in addition to nominations for two Academy Awards and four Golden Globes. In 2014, Time magazine named him one of the 100 most influential people in the world, and in 2015, he was appointed a CBE for services to performing arts and charity.

Cumberbatch studied drama at the Victoria University of Manchester and obtained a Master of Arts in classical acting at the London Academy of Music and Dramatic Art. He began acting in Shakespearean theatre productions before making his West End debut in Richard Eyre's revival of Hedda Gabler in 2005. Since then, he has starred in Royal National Theatre productions of After the Dance (2010) and Frankenstein (2011), winning the Laurence Olivier Award for Best Actor for the latter. In 2015, he played the title role in Hamlet at the Barbican Theatre.

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Richard Eyre in the context of Notes on a Scandal (film)

Notes on a Scandal is a 2006 British psychological drama thriller directed by Richard Eyre and produced by Robert Fox and Scott Rudin. Adapted from the 2003 novel by Zoë Heller, the screenplay was written by Patrick Marber. The film stars Judi Dench, Cate Blanchett, and Bill Nighy, and centres on a lonely veteran teacher who uncovers a fellow teacher's illicit affair with an underage student.

The film received positive reviews from critics, with Dench and Blanchett's performances receiving widespread critical acclaim and Marber's screenplay being particularly lauded. The film also emerged as a major commercial success at the box-office, grossing $50.6 million worldwide.

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