Representation (arts) in the context of "Mimesis"

Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage. The role of a dramaturg in the field of modern dramaturgy is to help realize the multifaceted world of the play for a production using information from the script, playwright, and the context in which the play was written. It is a dramaturg's job to assist the director and playwright, especially if the culture of the play is not fully experienced by these people.

The term first appears in the eponymous work Hamburg Dramaturgy (1767–69) by Gotthold Ephraim Lessing. Lessing composed this collection of essays on the principles of drama while working as the world's first dramaturge at the Hamburg National Theatre of Abel Seyler. Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. Some dramatists combine writing and dramaturgy when creating a drama. Others work with a specialist, called a dramaturge, to adapt a work for the stage.

Figurative art, sometimes written as figurativism, describes artwork (particularly paintings and sculptures) that is clearly derived from real object sources and so is, by definition, representational. The term is often in contrast to abstract art:

Painting and sculpture can therefore be divided into the categories of figurative, representational and abstract, although, strictly speaking, abstract art is derived (or abstracted) from a figurative or other natural source. However, "abstract" is sometimes used as a synonym of non-representational art and non-objective art, i.e. art which has no derivation from figures or objects.

Data and information visualization (data viz/vis or info viz/vis) is the practice of designing and creating graphic or visual representations of quantitative and qualitative data and information with the help of static, dynamic or interactive visual items. These visualizations are intended to help a target audience visually explore and discover, quickly understand, interpret and gain important insights into otherwise difficult-to-identify structures, relationships, correlations, local and global patterns, trends, variations, constancy, clusters, outliers and unusual groupings within data. When intended for the public to convey a concise version of information in an engaging manner, it is typically called infographics.

Data visualization is concerned with presenting sets of primarily quantitative raw data in a schematic form, using imagery. The visual formats used in data visualization include charts and graphs, geospatial maps, figures, correlation matrices, percentage gauges, etc..

Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.

The early developments of Islamic art were influenced by Roman art, Early Christian art (particularly Byzantine art), and Sassanian art, with later influences from Central Asian nomadic traditions. Chinese art had a significant influence on Islamic painting, pottery, and textiles. From its beginnings, Islamic art has been based on the written version of the Quran and other seminal religious works, which is reflected by the important role of calligraphy, representing the word as the medium of divine revelation.

Fauvism (/foʊvɪzəm/ FOH-viz-əm) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves (French pronunciation: [le fov], the wild beasts), a group of modern artists whose works emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.

In art, realism is generally the attempt to represent subject-matter truthfully, without artificiality, exaggeration, or speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist politics. The realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century.

In 19th-century Europe, "Naturalism" or the "Naturalist school" was somewhat artificially erected as a term representing a breakaway sub-movement of realism, that attempted (not wholly successfully) to distinguish itself from its parent by its avoidance of politics and social issues, and liked to proclaim a quasi-scientific basis, playing on the sense of "naturalist" as a student of natural history, as the biological sciences were then generally known.