Renaissance Europe in the context of "History of archaeology"

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⭐ Core Definition: Renaissance Europe

The Renaissance (UK: /rɪˈneɪsəns/ rin-AY-sənss, US: /ˈrɛnəsɑːns/ REN-ə-sahnss) is a period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including art, architecture, politics, literature, exploration and science, the Renaissance was first centered in the Republic of Florence, then spread to the rest of Italy and later throughout Europe. The term rinascita ("rebirth") first appeared in Lives of the Artists (c. 1550) by Giorgio Vasari, while the corresponding French word renaissance was adopted into English as the term for this period during the 1830s.

The Renaissance's intellectual basis was founded in its version of humanism, derived from the concept of Roman humanitas and the rediscovery of classical Greek philosophy, such as that of Protagoras, who said that "man is the measure of all things". Although the invention of metal movable type sped the dissemination of ideas from the later 15th century, the changes of the Renaissance were not uniform across Europe: the first traces appear in Italy as early as the late 13th century, in particular with the writings of Dante and the paintings of Giotto.

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👉 Renaissance Europe in the context of History of archaeology

Archaeology is the study of human activity in the past, primarily through the recovery and analysis of the material culture and environmental data that they have left behind, which includes artifacts, architecture, biofacts (also known as eco-facts) and cultural landscapes (the archaeological record).

The development of the field of archaeology has its roots with history and with those who were interested in the past, such as kings and queens who wanted to show past glories of their respective nations. In the 6th century BCE, Nabonidus of the Neo-Babylonian Empire excavated, surveyed and restored sites built more than a millennium earlier under Naram-sin of Akkad. The 5th-century-BCE Greek historian Herodotus was the first scholar to systematically study the past and also an early examiner of artifacts. In Medieval India, the study of the past was recorded. In the Song Empire (960–1279) of imperial China, Chinese scholar-officials unearthed, studied, and cataloged ancient artifacts, a native practice that continued into the Qing dynasty (1644–1912) before adoption of Western methods. The 15th and 16th centuries saw the rise of antiquarians in Renaissance Europe such as Flavio Biondo who were interested in the collection of artifacts. The antiquarian movement shifted into nationalism as personal collections turned into national museums. It evolved into a much more systematic discipline in the late 19th century and became a widely used tool for historical and anthropological research in the 20th century. During this time there were also significant advances in the technology used in the field.

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Renaissance Europe in the context of History of printing

Printing emerged as early as the 4th millennium BCE in the form of cylinder seals used by the Proto-Elamite and Sumerian civilizations to certify documents written on clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in Tang China by the 7th century, to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist Diamond Sutra, printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented in China during the 11th century by the Song dynasty artisan Bi Sheng, but it received limited use compared to woodblock printing. However, the use of copper movable types was documented in a Song-era book from 1193, and the earliest printed paper money using movable metal type to print the identifying codes were made in 1161. The technology also spread outside China, with the oldest extant printed book using metal movable type being the Jikji, printed in Korea in 1377 during the Goryeo era.

Woodblock printing was also used in Europe until the mid-15th century. Late medieval German inventor Johannes Gutenberg created the first printing press based on previously known mechanical presses and a process for mass-producing metal type. By the end of the 15th century, his invention and widescale circulation of the Gutenberg Bible became responsible for a burgeoning economical book publishing industry spreading globally across Renaissance Europe and eventually among the colonial publishers and printers that emerged in the British American colonies. This industry enabled the communication of ideas and the sharing of knowledge on an unprecedented scale, leading to the global spread of the printing press during the early modern period. Alongside the development of text printing, new and lower-cost methods of image reproduction were developed, including lithography, screen printing and photocopying.

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LINKED FROM (PARENTS)
← History of printing ← History of archaeology
LINKS TO (CHILDREN)
British English → American English → Periodization → Cultural movement → Middle Ages → Modernity → Classical antiquity → Social change → Renaissance art → Renaissance architecture → Renaissance literature → Renaissance exploration → Science in the Renaissance → Republic of Florence → Italian Renaissance → Lives of the Artists → Giorgio Vasari → Renaissance humanism → Humanitas → Classical Greek philosophy → Protagoras → Movable type → Dante → Giotto →