Remix in the context of King Tubby

Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.

Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Hopeton "Scientist" Brown, Lee "Scratch" Perry, Errol Thompson and others beginning in the late 1960s. Augustus Pablo, who collaborated with many of these producers, is credited with bringing the distinct-sounding melodica to dub, and is also among the pioneers and creators of the genre. Similar experiments with recordings at the mixing desk outside the dancehall scene were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects.

"Macarena" is a song by Spanish pop duo Los del Río, originally recorded for their 1993 album A mí me gusta. A dance remix by the electropop group Fangoria was a success in Spain, and a soundalike cover version by Los del Mar became popular in Canada. Another remix by Miami-based producers the Bayside Boys, who added a section with English lyrics, expanded its popularity, initially peaking at No. 45 on the US Billboard Hot 100 in late 1995.

The Bayside Boys mix enjoyed a significant revival the following year when it re-entered the Billboard Hot 100 and reached No. 1 for 14 weeks between August and November 1996. Its resurgence was aided by a dance craze that became a cultural phenomenon throughout the latter half of 1996 and early 1997. The song got the group ranked the "No. 1 Greatest One-Hit Wonder of All Time" by VH1 in 2002. In 2012, it was ranked No. 7 on Billboard's All Time Top 100. It also ranked at No. 7 on Billboard's All Time Latin Songs list. In 2023, Billboard ranked "Macarena" number 500 in their list of Best Pop Songs of All Time.

"Material Girl" is a song recorded by American pop singer Madonna for her second studio album, Like a Virgin (1984). It was released on January 23, 1985, by the Sire label as the second single from Like a Virgin. It also appears slightly remixed on the 1990 greatest hits compilation, The Immaculate Collection, in its original form on the 2009 greatest hits compilation, Celebration and Finally Enough Love: 50 Number Ones (2022). The song was written by Peter Brown and Robert Rans, and produced by Nile Rodgers. Madonna said the concept of the song was indicative of her life at that time, and she liked it because she felt it was provocative.

"Material Girl" consists of synthesizer arrangements with a robotic-sounding voice chant repeating the hook, "living in a material world". The lyrics identify with materialism, with Madonna asking for a rich and affluent life, and only wanting to date men who can offer her this. Contemporary critics have frequently identified "Material Girl" along with "Like a Virgin" as the songs that established Madonna as an icon. "Material Girl" was a commercial success, reaching the top-five in Australia, Belgium, Canada, Ireland, Japan and United Kingdom. It reached the number two position on the Billboard Hot 100 in the United States, becoming her third top-five single there.

A CD single is a music single in the form of a compact disc (CD). Originally the CD single standard (as defined in the Red Book) was an 8 cm (3-inch) "mini CD" (CD3); later on the term referred to any single recorded onto a CD of any size, particularly the 12 cm (5-inch) "full-size" disc (CD5). From a technical viewpoint, a CD single is identical to any other audio CD. The format started gaining popularity in the early 1990s, but quickly declined in the early and mid 2000s, in favor of digital downloaded singles and CD albums.

Commercially released CD singles can vary in length from two songs (an A side and B side, in the tradition of 7-inch 45-rpm records) up to six songs like an EP, which would be marketed as a maxi single in some regions. Some contain multiple mixes of one or more songs (known as remixes), in the tradition of 12-inch vinyl singles, and in some cases, they may also contain a music video for the single itself (this is an enhanced CD) as well as occasionally a poster. Depending on the country of release, there may be limits on the number of songs and total length for sales to count in singles charts.

Chopped and screwed (also called screwed and chopped or slowed and throwed) is a genre of hip-hop music and technique of remixing music that involves slowing down the tempo and DJing. It was pioneered by DJ Screw, and became a staple in the Houston hip hop scene in the 1990s. The screwed technique involves slowing the tempo of a song down to 60 and 70 quarter-note beats per minute and applying techniques such as skipping beats, record scratching, stop-time and affecting portions of the original composition to create a "chopped-up" variant of the material.

Lee "Scratch" Perry OD (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer, songwriter and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo, the Heptones, Adrian Sherwood, the Beastie Boys, Ari Up, the Clash, the Orb, and many others.

Adam Keefe Horovitz (born October 31, 1966), known professionally as Ad-Rock, is an American rapper, guitarist, and actor. He was a member of the hip-hop group Beastie Boys. While Beastie Boys were active, Horovitz performed with a side project, BS 2000. Since the group disbanded in 2012 following the death of Adam Yauch, Horovitz has participated in several Beastie Boys-related projects, worked as a remixer, producer, and guest musician for other artists, and acted in a number of films.