Relief in the context of "Terrain"

Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans, and is a form of Roman folklore. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and shares mythemes with Proto-Indo-European mythology.

The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to their responsibility to the community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury, and institutions than with theology or cosmogony.

The Codex Aureus of Saint Emmeram (Munich, Bayerische Staatsbibliothek, Clm 14000) is a 9th-century illuminated Gospel Book. It takes its name from Saint Emmeram's Abbey in Bavaria, where it was for most of its history (named after Emmeram of Regensburg) and is lavishly illuminated. The cover of the codex is decorated with gems and relief figures in gold, can be precisely dated to 870, and is an important example of Carolingian art, as well as one of very few surviving treasure bindings of this date.

The upper cover of the Lindau Gospels is probably a product of the same workshop, though there are differences of style. This workshop is associated with the Holy Roman Emperor Charles II (the Bald), and often called his "Palace School". Its location (if it had a fixed one) remains uncertain and much discussed, but Saint-Denis Abbey outside Paris is one leading possibility. The Arnulf Ciborium (a miniature architectural ciborium rather than the vessel for hosts), now in the Munich Residenz, is the third major work in the group, along with the frame of an antique serpentine dish in the Louvre. Recent scholars tend to group the Lindau Gospels and the Arnulf Ciborium in closer relation to each other than the Codex Aureus to either.

A stele (/ˈstiːli/ STEE-lee) or stela (/ˈstiːlə/ STEE-lə) is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted.

Stelae were created for many reasons. Grave stelae were used for funerary or commemorative purposes. Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. Stelae were occasionally erected as memorials to battles. For example, along with other memorials, there are more than half-a-dozen steles erected on the battlefield of Waterloo at the locations of notable actions by participants in battle.

Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. The term stucco refers to plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces.

The most common types of plaster mainly contain either gypsum, lime, or cement, but all work in a similar way. The plaster is manufactured as a dry powder and is mixed with water to form a stiff but workable paste immediately before it is applied to the surface. The reaction with water liberates heat through crystallization and the hydrated plaster then hardens.

A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment, and often employed for rituals and rites. Masks have been used since antiquity for both ceremonial and practical purposes, as well as in the performing arts and for entertainment. They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body.

In art history, especially sculpture, "mask" is the term for a face without a body that is not modelled in the round (which would make it a "head"), but for example appears in low relief.

A commemorative plaque, or simply plaque, or in other places referred to as a historical marker, historic marker, or historic plaque, is a plate of metal, ceramic, stone, wood, or other material, bearing text or an image in relief, or both, to commemorate one or more persons, an event, a former use of the place, or some other thing. Most such plaques are attached to a wall, stone, or other vertical surface.

Many modern plaques and markers are used to associate the location where the plaque or marker is installed with the person, event, or item commemorated as a place worthy of visit. A monumental plaque or tablet commemorating a deceased person or persons, can be a simple form of church monument. Most modern plaques affixed in this way are commemorative of something, but not all. There are also purely religious plaques, and some signify ownership or affiliation of some sort. A plaquette is a small plaque, but in English, unlike many European languages, the term is not typically used for outdoor plaques fixed to walls.

Olin Levi Warner (April 9, 1844 – August 14, 1896) was an American sculptor and artist noted for the striking bas relief portrait medallions and busts he created in the late 19th century.

The Warka Vase or Uruk vase is a slim carved alabaster vessel found in a temple complex in the ruins of the ancient city of Uruk, located in the modern Al Muthanna Governorate, in southern Iraq. Like the Uruk Trough, Mask of Warka, and the Narmer Palette from Egypt, it is one of the earliest surviving works of narrative relief sculpture, found, no in situ, in a layer dated to c. 3100–2900 BC. Simple relief sculpture is also known from much earlier periods, from the site of Göbekli Tepe, dating to circa 9000 BC.

The bottom register displays naturalistic components of life, including water and plants, such as date palm, barley, and wheat. On the upper portion of the lowest register, alternating rams and ewes march in a single file. The middle register conveys naked men carrying baskets of foodstuffs symbolizing offerings. Lastly, the top register depicts the goddess a female deity accepting a votive offer. A female deity stands at the front portion of the gate surrounded by her richly filled shrine and storehouse (identifiable by two reed door poles with dangling banners). This scene may illustrate a reproduction of the ritual marriage between the goddess and her consort that ensures Uruk's continued vitality.