The Red Book of Hergest (Welsh: Llyfr Coch Hergest), Oxford, Jesus College, MS 111, is a large vellum manuscript written shortly after 1382, which ranks as one of the most important medieval manuscripts written in the Welsh language. It preserves a collection of Welsh prose and poetry, notably the tales of the Mabinogion and Gogynfeirdd poetry. The manuscript derives its name from the colour of its leather binding and from its association with Hergest Court between the late 15th and early 17th century.
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👉 Red Book of Hergest in the context of Welsh mythology
Welsh mythology, also known as Y Chwedlau (Welsh for 'the legends'), consists of both folk traditions developed in Wales, and traditions developed by the Celtic Britons elsewhere before the end of the first millennium. As in most of the predominantly oral societies Celtic mythology and history were recorded orally by specialists such as druids (Welsh: derwyddon). This oral record has been lost or altered as a result of outside contact and invasion over the years. Much of this altered mythology and history is preserved in mediaeval Welsh manuscripts, which include the Red Book of Hergest, the White Book of Rhydderch, the Book of Aneirin and the Book of Taliesin. Other works connected to Welsh mythology include the ninth-century Latin historical compilation Historia Brittonum (History of the Britons) and Geoffrey of Monmouth's 12th-century Latin chronicle Historia Regum Britanniae (History of the Kings of Britain), as well as later Welsh folklore, such as the materials collected in The Welsh Fairy Book by William Jenkyn Thomas (1908).
In this Dossier
Red Book of Hergest in the context of Culture of Wales
The culture of Wales encompasses the Welsh language, customs, festivals, music, art, cuisine, mythology, history, and politics. Wales is primarily represented by the symbol of the red Welsh Dragon, but other national emblems include the leek and the daffodil.
Although sharing many customs with the other nations of the United Kingdom, Wales has its own distinct traditions and culture, and from the late 19th century onwards, Wales acquired its popular image as the "land of song", in part due to the Eisteddfod tradition.
Red Book of Hergest in the context of Owain, or the Lady of the Fountain
The Three Welsh Romances (Welsh: Y Tair Rhamant) are three Middle Welsh tales associated with the Mabinogion. They are versions of Arthurian tales that also appear in the work of Chrétien de Troyes. Critics have debated whether the Welsh Romances are based on Chrétien's poems or if they derive from a shared original. The Romances survive in the White Book of Rhydderch and the Red Book of Hergest, both from the 14th century, though the material is at least as old as Chrétien.
Red Book of Hergest in the context of Myrddin Wyllt
Myrddin Wyllt (Welsh: [ˈmərðɪn ˈwɨɬt]—"Myrddin the Wild", Cornish: Merdhyn Gwyls, Breton: Marzhin Gouez) is a figure in medieval Welsh legend. In Middle Welsh poetry he is accounted a chief bard, the speaker of several poems in The Black Book of Carmarthen and The Red Book of Hergest. He is called Wyllt—"the Wild"—by Elis Gruffydd, and elsewhere Myrddin Emrys ("Ambrosius"), Merlinus Caledonensis ("of Caledonia") or Merlin Sylvestris ("of the woods").
Although his legend centres on a known Celtic theme, Myrddin's legend is rooted in history, for he is said to have gone mad after the Battle of Arfderydd (Arthuret) at which Rhydderch Hael of Strathclyde defeated the Brythonic king Gwenddoleu. According to the Annales Cambriae this took place in 573. Myrddin fled into the forest, lived with the beasts and received the gift of prophecy.