Record sleeve in the context of "Sgt. Pepper's Lonely Hearts Club Band"

Play Trivia Questions online!

or

Skip to study material about Record sleeve in the context of "Sgt. Pepper's Lonely Hearts Club Band"





👉 Record sleeve in the context of Sgt. Pepper's Lonely Hearts Club Band

Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests for the next three months. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian military band, forming the impetus of the Sgt. Pepper concept. For this project, they continued the technological experimentation marked by their previous album, Revolver (1966), this time without an absolute deadline for completion. Sessions began on 24 November at EMI Studios with compositions inspired by the Beatles' youth, but after pressure from EMI, the songs "Strawberry Fields Forever" and "Penny Lane" were released as a double A-side single in February 1967 and left off the LP. The album was then loosely conceptualised as a performance by the fictional Sgt. Pepper band, an idea that was conceived after recording the title track.

↓ Explore More Topics
In this Dossier

Record sleeve in the context of Velvet Underground & Nico

The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico, released by Verve Records in March 1967. The album was recorded in 1966 on Ludlow Street, New York while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. Warhol, who designed the album's record sleeve, served as co-producer alongside Tom Wilson.

The Velvet Underground & Nico features elements of avant-garde music incorporated into brash, minimal and groove-driven rock music. Lead singer and songwriter Lou Reed delivers explicit lyrics spanning themes of drug abuse, prostitution, sadomasochism and urban life. Due to its abrasive, unconventional sound and controversial lyrical content, the album underperformed commercially and polarized critics upon release. Various record stores banned the album, many radio stations refused to play it, and magazines refused to carry advertisements for it.

↑ Return to Menu