Rationalism (architecture) in the context of "Brescia"

The Death and Life of Great American Cities is a 1961 book by writer and activist Jane Jacobs. The book is a critique of 1950s urban planning policy, which it holds responsible for the decline of many city neighborhoods in the United States. The book is Jacobs' best-known and most influential work.

Jacobs was a critic of "rationalist" planners of the 1950s and 1960s, especially Robert Moses, as well as the earlier work of Le Corbusier. She argued that urban planning should prioritize the needs and experiences of residents, and modernist urban planning overlooked and oversimplified the complexity of human lives in diverse communities. She opposed large-scale urban renewal programs that affected entire neighborhoods and built freeways through inner cities. She instead advocated for dense mixed-use development and walkable streets, with the "eyes on the street" of passers-by helping to maintain public order. She suggested preserving the existing city fabric, including old buildings and established communities.

The International Style is a major architectural style and movement that began in western Europe in the 1920s and dominated modern architecture until the 1970s. It is defined by strict adherence to functional and utilitarian designs and construction methods, typically expressed through minimalism. The style is characterized by modular and rectilinear forms, flat surfaces devoid of ornamentation and decoration, open and airy interiors that blend with the exterior, and the use of glass, steel, and concrete.

The International Style is sometimes called rationalist architecture and the modern movement, although the former is mostly used in English to refer specifically to either Italian rationalism or the style that developed in 1920s Europe more broadly. In continental Europe, this and related styles are variably called Functionalism, Neue Sachlichkeit ("New Objectivity"), De Stijl ("The Style"), and Rationalism, all of which are contemporaneous movements and styles that share similar principles, origins, and proponents.

Fascist architecture encompasses various stylistic trends in architecture developed by architects of fascist states, primarily in the early 20th century. Fascist architectural styles gained popularity in the late 1920s with the rise of modernism along with the ultranationalism associated with fascist governments in western Europe. Fascist styles often resemble that of ancient Rome, but can extend to modern aesthetics as well. Fascist-era buildings are frequently constructed with particular concern given to symmetry, simplicity, and monumental size, especially for public buildings.

Benito Mussolini utilised several styles of architecture, incorporating classical elements into modern Rationalist architecture to convey a sense of continuity with ancient Rome.