Rammstein in the context of Amerika (song)

Industrial music (or simply industrial) is a subgenre of experimental music inspired by post-industrial society, initially drawing influences from avant-garde and early electronic music genres such as musique concrète, tape music, noise and sound collage. The term was coined in 1976 by Monte Cazazza and Throbbing Gristle, with the founding of Industrial Records. Other early industrial musicians include NON and Cabaret Voltaire. By the late 1970s, additional artists emerged such as Clock DVA, Nocturnal Emissions, Einstürzende Neubauten, SPK, Nurse with Wound, and Z’EV, alongside Whitehouse who coined the subgenre "power electronics".

During the 1980s, industrial music splintered into a range of offshoots collectively labelled "post-industrial music", these included, EBM, new beat, hard beat, dark ambient, neofolk, power noise, industrial dance, electro-industrial, dark electro, aggrotech, industrial rock, industrial metal, cyber metal, Neue Deutsche Härte, martial industrial, industrial hip-hop and industrial techno. By the 1990s, elements of industrial music were made accessible to mainstream audiences through the popularity of acts such as Nine Inch Nails, Ministry, Rammstein, and Marilyn Manson, all of whom released platinum-selling records.

Cello rock is a subgenre of rock music characterized by the use of cellos (as well as other bowed string instruments such as the violin and viola) as primary instruments, alongside or in place of more traditional rock instruments such as electric guitars, electric bass guitars, and drum sets.

Cellos, often in groups of three or more, are used to create a sound, rhythm, and texture similar to that of familiar rock music, but distinctly reshaped by the unique timbres and more traditional genres of the cello (in particular) and other string instruments used. Cellos and other stringed instruments are often amplified and/or modified electronically, and they are often played in a manner imitative of the sound of electric guitars. They are often combined with other elements typical of rock music such as rock-style vocals and drumming.

Industrial rock is a fusion genre that fuses industrial music and rock music. Originally emerging in the late 1970s to early 1980s, pioneered by artists such as Chrome, Killing Joke, Swans, Big Black and Skinny Puppy, the movement was further proliferated in the late 1980s by Wax Trax! Records in Chicago, with artists like Front 242, Front Line Assembly, KMFDM, and Sister Machine Gun.

Subsequently, the movement would lead to the emergence of genre fusions and subgenres like electro-industrial, industrial metal, martial industrial, industrial hip-hop, industrial dance and industrial techno. By the 1990s, broader industrial music genres were made accessible to mainstream audiences through the popularity of acts such as Nine Inch Nails, Ministry, Rammstein, Marilyn Manson, all of whom released platinum-selling records.

Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Nine Inch Nails, Fear Factory, Rammstein, KMFDM, and Godflesh.

Industrial metal developed in the late 1980s, as industrial and metal began to fuse into a common genre. Industrial metal did well in the early 1990s, particularly in North America, with the success of groups such as Nine Inch Nails, but its popularity began to fade in the latter half of the 1990s.

Neue Deutsche Härte (German: [ˈnɔʏə ˈdɔʏtʃə ˈhɛʁtə]; lit. "New German Hardness", sometimes abbreviated as NDH), also known as dance-metal, is a crossover style drawing from Neue Deutsche Welle, alternative metal, groove metal, electro-industrial and techno. It developed in Germany and Austria during the early-to-mid 1990s and early 2000s. Alluding to the style of Neue Deutsche Welle, the term was coined by the music press after the 1995 release of Rammstein's first studio album, Herzeleid.