Nine Inch Nails in the context of "Industrial metal"

Industrial music (or simply industrial) is a subgenre of experimental music inspired by post-industrial society, initially drawing influences from avant-garde and early electronic music genres such as musique concrète, tape music, noise and sound collage. The term was coined in 1976 by Monte Cazazza and Throbbing Gristle, with the founding of Industrial Records. Other early industrial musicians include NON and Cabaret Voltaire. By the late 1970s, additional artists emerged such as Clock DVA, Nocturnal Emissions, Einstürzende Neubauten, SPK, Nurse with Wound, and Z’EV, alongside Whitehouse who coined the subgenre "power electronics".

During the 1980s, industrial music splintered into a range of offshoots collectively labelled "post-industrial music", these included, EBM, new beat, hard beat, dark ambient, neofolk, power noise, industrial dance, electro-industrial, dark electro, aggrotech, industrial rock, industrial metal, cyber metal, Neue Deutsche Härte, martial industrial, industrial hip-hop and industrial techno. By the 1990s, elements of industrial music were made accessible to mainstream audiences through the popularity of acts such as Nine Inch Nails, Ministry, Rammstein, and Marilyn Manson, all of whom released platinum-selling records.

Industrial rock is a fusion genre that fuses industrial music and rock music. Originally emerging in the late 1970s to early 1980s, pioneered by artists such as Chrome, Killing Joke, Swans, Big Black and Skinny Puppy, the movement was further proliferated in the late 1980s by Wax Trax! Records in Chicago, with artists like Front 242, Front Line Assembly, KMFDM, and Sister Machine Gun.

Subsequently, the movement would lead to the emergence of genre fusions and subgenres like electro-industrial, industrial metal, martial industrial, industrial hip-hop, industrial dance and industrial techno. By the 1990s, broader industrial music genres were made accessible to mainstream audiences through the popularity of acts such as Nine Inch Nails, Ministry, Rammstein, Marilyn Manson, all of whom released platinum-selling records.

John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer-songwriter. Most of his music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career. He was known for his deep, calm, bass-baritone voice, the distinctive sound of his backing band, the Tennessee Three, that was characterized by its train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, and his free prison concerts. Cash wore a trademark all-black stage wardrobe, which earned him the nickname "Man in Black".

Born to poor cotton farmers in Kingsland, Arkansas, Cash grew up on gospel music and played on a local radio station in high school. He served four years in the Air Force, much of it in West Germany. After his return to the United States, he rose to fame during the mid-1950s in the burgeoning rockabilly scene in Memphis, Tennessee. He traditionally began his concerts by introducing himself with "Hello, I'm Johnny Cash". He began to follow that by "Folsom Prison Blues", one of his signature songs. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue", a duet with his future wife June called "Jackson" (followed by many further duets after they married), and railroad songs such as "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During his final years, Cash covered songs by contemporary rock artists; among his most notable covers were "Hurt" by Nine Inch Nails, "Rusty Cage" by Soundgarden, and "Personal Jesus" by Depeche Mode.