Radio comedy in the context of Voice actor


Radio comedy in the context of Voice actor

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Radio comedy in the context of Voice acting

Voice acting is the art of performing a character or providing information to an audience with one's voice. Performers are often called voice actors/actresses in addition to other names. Examples of voice work include animated, off-stage, off-screen, or non-visible characters in various works such as films, dubbed foreign films, television shows, video games, animation, documentaries, commercials, audiobooks, radio dramas and comedies, amusement rides, theater productions, puppet shows, and audio games.

The role of a voice actor may involve singing, most often when playing a fictional character, although a separate performer is sometimes enlisted as the character's singing voice. A voice actor may also simultaneously undertake motion-capture acting. Non-fictional voice acting is heard through pre-recorded and automated announcements that are a part of everyday modern life in areas such as stores, elevators, waiting rooms, and public transport. Voice acting is recognized as a specialized dramatic profession in the United Kingdom, primarily due to BBC Radio's long and storied history of producing radio dramas.

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Radio comedy in the context of It's That Man Again

It's That Man Again (commonly contracted to ITMA) was a BBC radio comedy programme which ran for twelve series from 1939 to 1949. The shows featured Tommy Handley in the central role, a fast-talking figure, around whom the other characters orbited. The programmes were written by Ted Kavanagh and produced by Francis Worsley. Handley died during the twelfth series, the remaining programmes of which were immediately cancelled: ITMA could not work without him, and no further series were commissioned.

ITMA was a character-driven comedy whose satirical targets included officialdom and the proliferation of minor wartime regulations. Parts of the scripts were rewritten in the hour before the broadcast, to ensure topicality. ITMA broke away from the conventions of previous radio comedies, and from the humour of the music halls. The shows used sound effects in a novel manner, which, alongside a wide range of voices and accents, created the programme's atmosphere.

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