Documentary film in the context of "Voice acting"

In the performing arts industry such as theatre, film, or television, casting, or a casting call, is a pre-production process for selecting a certain type of actor, dancer, singer, or extra to land the role of a character in a script, screenplay, or teleplay. This process may be used for a motion picture, television program, documentary film, music video, play, or advertisement intended for an audience.

A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually annually and in a single city or region. Some film festivals show films outdoors or online.

Films may be of recent date and, depending on the festival's focus, can include both international and domestic releases. Some film festivals focus on a specific format of film, such as documentary, or runtime, such as short film festivals, or genre, such as horror films, category of filmmakers, such as women, production country/region or subject matter.

Olympia is a 1938 German propaganda and documentary film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin during the Nazi period. The film was released in two parts: Olympia 1. Teil — Fest der Völker (Festival of Nations) (126 minutes) and Olympia 2. Teil — Fest der Schönheit (Festival of Beauty) (100 minutes). The 1936 Summer Olympics torch relay, as devised for the Games by the secretary general of the Organizing Committee, Dr. Carl Diem, is shown in the film.

Olympia is controversial due to its political context and propaganda value. However, the techniques Riefenstahl employed are almost universally admired and had a lasting influence on film and television coverage of sport events. Olympia appears on many lists of the greatest films of all time, including Time magazine's "All-Time 100 Movies".

Bill Nichols (born 1942) is an American film critic and theoretician best known for his pioneering work as founder of the contemporary study of documentary film. His 1991 book, Representing Reality: Issues and Concepts in Documentary, applied modern film theory to the study of documentary film for the first time. It has been followed by scores of books by others and by additional books and essays by Nichols. The first volume of his two-volume anthology Movies and Methods (1976, 1985) helped to establish film studies as an academic discipline. Nichols is Professor Emeritus in the Cinema Department at San Francisco State University and Chair of the Documentary Film Institute advisory board.

Nichols has lectured in numerous countries, served on film festival juries on different continents, consults regularly on a variety of filmmaking projects, and has published over 100 articles.

"Below-the-line" is a term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials. The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors, and casting ("above the-line") and the rest of the crew, or production team.

The top sheet of any creative project's budget serves only as an at-a-glance reference to a fully detailed and attached main budget document, which features total expenses including federal, state and local taxes, as well as insurance within the entire production, and/or production incentives. This painstaking task is usually assigned to the Production Manager or UPM of a production and should be completed before principal photography begins for any project.

A newsreel is a form of short documentary film, containing news stories and items of topical interest, that was prevalent between the 1910s and the mid 1970s. Typically presented in a cinema, newsreels were a source of current affairs, information, and entertainment for millions of moviegoers. Newsreels were typically exhibited preceding a feature film, but there were also dedicated newsreel theaters in many major cities in the 1930s and ’40s, and some large city cinemas also included a smaller theaterette where newsreels were screened continuously throughout the day.

By the end of the 1960s television news broadcasts had supplanted the format. Newsreels are considered significant historical documents, since they are often the only audiovisual record of certain cultural events.

Voice-over (also known as off-camera or off-stage commentary) is a production technique used in radio, television, filmmaking, theatre, and other media in which a descriptive or expository voice that is not part of the narrative (i.e., non-diegetic) accompanies the pictured or on-site presentation of events. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information.

Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award presentations. Voice-over is added in addition to any existing dialogue and is not to be confused with voice acting or the process of replacing dialogue with a translated version, the latter of which is called dubbing or revoicing.

A heritage centre, center, or museum, is a public facility – typically a museum, monument, visitor centre, or park – that is primarily dedicated to the presentation of historical and cultural information about a place and its people, and often also including, to some degree, the area's natural history. Heritage centres typically differ from most traditional museums in featuring a high proportion of "hands-on" exhibits and live or lifelike specimens and practical artifacts.

Some are open-air museums – heritage parks – devoted to depiction of daily life or occupational activity at a particular time and place, and may feature re-creations of typical buildings of an era. Such sites are often used for experimental archaeology, and as shooting locations for documentaries and historical-fiction films and television. A few are rebuilt archaeological sites, using the excavated foundations of original buildings, some restore historic structures that were not yet lost, while others are mock-ups built near actual sites of historic value (which may still be subject to ongoing excavation, study, and preservation). Many also have living museum features, such as costumed staff, demonstrations of and short courses in historical craft-working, dramatic presentations (live-action mock combat, etc.), and other living history activities. Others may be more narrowly focused on a particular occupation or industry, such as rail transport or the early factories or mines around which a community developed.

The AACTA Award for Best Actor in a Leading Role is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1971 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards (known as the AFI Awards). When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuation of the AFI Award for Best Actor in a Leading Role.

From 1971 up until 1975, the awards for Best Actor and Best Actress were awarded in a single category for Best Performance. In 1971 the prize was given to Monica Maughan over fellow nominee Peter Cummins, who received a special mention for his performances in the films Some Regrets, The Hot Centre of the World (1971 short film), Bonjour Balwyn and Carson's Watermelons. From 1972 to 1975, the single award was handed out to the best actor and actress of the respective award giving years, with honourable mentions made to supporting casts. From 1976 to the present, the accolade has been handed out as a separate award for Best Actor in a Leading Role.