Rabindranath Tagore in the context of "Nobel laureates of India"

In Celtic cultures, a bard is an oral repository and professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities.

With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832).

Bengali literature (Bengali: বাংলা সাহিত্য, romanized: Bangla Shahittô) denotes the body of writings in the Bengali language and which covers Old Bengali, Middle Bengali and Modern Bengali with the changes through the passage of time and dynastic patronization or non-patronization. Bengali has developed over the course of roughly 1,400 years. If the emergence of the Bengali literature supposes to date back to roughly 650 AD, the development of Bengali literature claims to be 1600 years old. The earliest extant work in Bengali literature is the Charyapada, a collection of Buddhist mystic songs in Old Bengali dating back to the 8th century. The timeline of Bengali literature is divided into three periods: ancient (650–1200), medieval (1200–1800) and modern (after 1800). Medieval Bengali literature consists of various poetic genres, including Hindu religious scriptures (e.g. Mangalkavya), Islamic epics (e.g. works of Syed Sultan and Abdul Hakim), Vaishnava texts (e.g. biographies of Chaitanya Mahaprabhu), translations of Arabic, Persian and Sanskrit texts, and secular texts by Muslim poets (e.g. works of Alaol). Novels were introduced in the mid-19th century. Nobel laureate Rabindranath Tagore is the best known figure of Bengali literature to the world. Kazi Nazrul Islam, notable for his activism and anti-British literature, was described as the Rebel Poet and is now recognised as the National poet of Bangladesh.

Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages.

The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics Ramayana and Mahabharata were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. Ancient Meitei appeared in the 1st century CE with sacred musical compositions like the Ougri, and heroic narratives like the Numit Kappa. In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries, respectively. Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as well. In 1913, Bengali poet Rabindranath Tagore became India's first Nobel laureate in literature.

La Nuit Bengali (transl. Bengal Nights) is the English-language title of 1933 Romanian novel, Mayitreyi, written by the author and philosopher Mircea Eliade.

It is a fictionalized account of the love story between Eliade, who was visiting India at the time, and the young Maitreyi Devi (protégée of the great Bengali poet Rabindranath Tagore, who became a famous writer herself). The novel was translated into Italian in 1945, German in 1948, Spanish in 1952, Bengali in 1988, Esperanto in 2007 (as Fraŭlino Maitreyi as part of the Serio Oriento-Okcidento), Catalan in 2011, Georgian in 2019, and Albanian in 2022. Its most famous translation is the one in French, published as La Nuit Bengali in 1950.

Bengali poetry is a rich tradition of poetry in the Bengali language and has many different forms. Originating in Bengal, the history of Bengali poetry underwent three successive stages of development: poetry of the early age (like Charyapad), the Medieval period and the age of modern poetry. All ages have seen different forms of poetry and poetical tradition. It reached the pinnacle during the Bengali Renaissance period although it has a rich tradition and has grown independent of the movement. Major Bengali Poets throughout the ages are Chandidas, Krittivas Ojha, Maladhar Basu, Bijay Gupta, Mukundaram Chakrabarti, Kashiram Das, Alaol, Syed Sultan, Ramprasad Sen, Michael Madhusudan Dutt, Nabinchandra Sen, Rabindranath Tagore, Dwijendralal Ray, Satyendranath Dutta, Kazi Nazrul Islam, Jibanananda Das, Jasimuddin, Sukanta Battacharya, Al Mahmud, Joy Goswami.

"Jana Gana Mana" is the national anthem of the Republic of India. It was originally composed as "Bharoto Bhagyo Bidhata" in Bengali written by polymath, activist and country's first Nobel laureate Rabindranath Tagore on 11 December 1911. The first stanza of the song "Bharoto Bhagyo Bidhata" was adopted by the Constituent Assembly of India as the National Anthem on 24 January 1950. A formal rendition of the national anthem takes approximately 52 seconds. A shortened version consisting of the first and last lines (and taking about 20 seconds to play) is also staged occasionally. It was first publicly sung on 27 December 1911 at the Calcutta (present-day Kolkata) Session of the Indian National Congress.

The Bengal Renaissance (Bengali: বাংলার নবজাগরণ, romanized: Baṅlar Nôbôjagôrôṇ), also known as the Bengali Renaissance, was a cultural, social, intellectual, and artistic movement that took place in the Bengal region of the British Raj, from the late 18th century to the early 20th century. Historians have traced the beginnings of the movement to the victory of the British East India Company at the 1757 Battle of Plassey, as well as the works of reformer Raja Rammohan Roy, considered the "Father of the Indian Renaissance," born in 1772. Nitish Sengupta stated that the movement "can be said to have … ended with Rabindranath Tagore," Asia's first Nobel laureate.

For almost two centuries, the Bengal Renaissance saw the radical transformation of Indian society, and its ideas have been attributed to the rise of Indian anticolonialist and nationalist thought and activity during this period. The philosophical basis of the movement was its unique version of liberalism and modernity. According to Sumit Sarkar, the pioneers and works of this period were revered and regarded with nostalgia throughout the 19th and 20th centuries; however, due to a new focus on its colonialist origins, a more critical view emerged in the 1970s.