Purana in the context of "Smarta tradition"

The Smarta tradition (Sanskrit: स्मार्त, IAST: Smārta) is a movement in Hinduism that developed and expanded with the Puranas genre of literature. It reflects a synthesis of four philosophical strands, namely Uttara Mīmāṃsā, Advaita, Yoga, and theism. The Smarta tradition rejects theistic sectarianism, and is notable for the domestic worship of five shrines with five deities, all treated as equal – Ganesha, Shiva, Shakti, Vishnu and Surya. The Smarta tradition contrasted with the older Shrauta tradition, which was based on elaborate rituals and rites. There has been a considerable overlap in the ideas and practices of the Smarta tradition with other significant historic movements within Hinduism, namely Shaivism, Brahmanism, Vaishnavism, and Shaktism.

The Smarta tradition developed during (early) Classical Period of Hinduism around the beginning of the Common Era, when Hinduism emerged from the interaction between Brahmanism and local traditions. The Smarta tradition is aligned with Advaita Vedanta, and regards Adi Shankara as its founder or reformer. Shankara championed the thesis that ultimate reality is impersonal and Nirguna (attributeless) and any symbolic god serves the same equivalent purpose. Inspired by this belief, the Smarta tradition followers, along with the five Hindu gods, include a sixth impersonal god in their practice. The tradition has been called by William Jackson as "advaitin, monistic in its outlook".

Avatar (Sanskrit: अवतार, IAST: Avatāra; pronounced [ɐʋɐt̪aːɾɐ]) is a concept within Hinduism that in Sanskrit literally means 'descent'. It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth, including in human form. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being.

The word avatar does not appear in the Vedic literature; however, it appears in developed forms in post-Vedic literature, and as a noun particularly in the Puranic literature after the 6th century CE. Despite that, the concept of an avatar is compatible with the content of the Vedic literature like the Upanishads as it is symbolic imagery of the Saguna Brahman concept in the philosophy of Hinduism. The Rigveda describes Indra as endowed with a mysterious power of assuming any form at will. The Bhagavad Gita expounds the doctrine of Avatara but with terms other than avatar.

Hampi or Hampe (Kannada: [hɐmpe]), also referred to as the Group of Monuments at Hampi, is a UNESCO World Heritage Site located in the town of Hampi in Vijayanagara district, east-central Karnataka, India. Hampi predates the Vijayanagara Empire; it is mentioned in the Ramayana and the Puranas of Hinduism as Pampa Devi Tirtha Kshetra. Hampi continues as a religious centre, with the Virupaksha Temple, an active Adi Shankara-linked monastery and various monuments belonging to the old city.

Hampi was the capital of the Vijayanagara Empire from 1336 to 1565 (as Vijayanagara), when it was abandoned. It was a fortified city. Chronicles left by Persian and European travellers, particularly the Portuguese, say that Hampi was a prosperous, wealthy and grand city near the Tungabhadra River, with numerous temples, farms and trading markets. Hampi-Vijayanagara is estimated to be the world's second-largest city by 1500, after Beijing, and probably India's richest at that time, attracting traders from Persia and Portugal. The Vijayanagara Empire was defeated by a coalition of Muslim sultanates; its capital was conquered, pillaged and destroyed by Muslim armies in 1565, after which Hampi remained in ruins.

Brahma (Sanskrit: ब्रह्मा, IAST: Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu and Shiva. He is associated with creation of everything, knowledge, and the Vedas. Brahma is prominently mentioned in creation legends. In some Puranas, he created himself in a golden embryo known as the Hiranyagarbha.

Brahma is frequently identified with the Vedic god Prajapati. During the post-Vedic period, Brahma was a prominent deity and his sect existed; however, by the 7th century, he had lost his significance. He was also overshadowed by other major deities like Vishnu, Shiva, and Mahadevi and demoted to the role of a secondary creator, who was created by the major deities.

Raja Ravi Varma (Malayalam: [rajaː ravi varma(ː)ɐ]) (29 April 1848 – 2 October 1906) was an Indian painter. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography. He greatly enhanced his reach and influence as a painter and public figure by making affordable lithographs of his paintings available to the public. His lithographs increased the involvement of common people with fine arts and defined artistic tastes. Furthermore, his religious depictions of Hindu deities and works from Indian epic poetry and Puranas have received critical acclaim. He was part of the royal family of Parappanad, Malappuram district.

Raja Ravi Varma was closely related to the royal family of Travancore of present-day Kerala state in India. Later in his life, two of his granddaughters were adopted into the royal family.

The Satavahanas (/ˌsɑːtəˈvɑːhənə/; Sādavāhana or Sātavāhana, IAST: Sātavāhana), also referred to as the Andhras (also Andhra-bhṛtyas or Andhra-jatiyas) in the Puranas, were an ancient Indian dynasty. Most modern scholars believe that the Satavahana rule began in the late 2nd century BCE and lasted until the early 3rd century CE, although some assign the beginning of their rule to as early as the 3rd century BCE based on the Puranas, but uncorroborated by archaeological evidence. The Satavahana kingdom mainly comprised the present-day Andhra Pradesh, Telangana, and Maharashtra. At different times, their rule extended to parts of modern Gujarat, Madhya Pradesh, and Karnataka. The dynasty had different capital cities at different times, including Pratishthana (Paithan) and Amaravati (Dharanikota).

The origin of the dynasty is uncertain, but according to the Puranas, their first king overthrew the Kanva dynasty. In the post-Maurya era, the Satavahanas established peace in the Deccan region and resisted the onslaught of foreign invaders. In particular their struggles with the Saka (Western Satraps) went on for a long time. The dynasty reached its zenith under the rule of Gautamiputra Satakarni and his successor Vasisthiputra Pulamavi. The kingdom had fragmented into smaller states by the early 3rd century CE.

The Bhagavata Purana (Sanskrit: भागवतपुराण; IAST: Bhāgavata Purāṇa), also known as the Srimad Bhagavatam (Śrīmad Bhāgavatam), Srimad Bhagavata Mahapurana (Śrīmad Bhāgavata Mahāpurāṇa) or simply Bhagavata (Bhāgavata), is one of Hinduism's eighteen major popular Puranas (Mahapuranas) and central text in Vaishnavism. Composed in Sanskrit and traditionally attributed to Veda Vyasa, it promotes bhakti (devotion) towards god Vishnu. Like other Puranas, it discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture.

The text consists of twelve books (skandhas or cantos) totalling 335 chapters (adhyayas) and 18,000 verses. The tenth book, with about 4,000 verses, has been the most popular and widely studied. It is widely available in almost all Indian languages and was the first Purana to be translated into a European language, as a French translation of a Tamil version appeared in 1788 and introduced many Europeans to Hinduism and 18th-century Hindu culture during the colonial era.

Parvati (Sanskrit: पार्वती, IAST: Pārvatī), also known as Uma (Sanskrit: उमा, IAST: Umā) and Gauri (Sanskrit: गौरी, IAST: Gaurī), is one of the principal goddesses in Hinduism, revered as the goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. Along with Lakshmi and Sarasvati, she forms the trinity, known as the Tridevi.

From her first appearance as a goddess during the epic period (400 BCE – 400 CE), Parvati is primarily depicted as the consort of the god Shiva. According to various Puranas, Parvati is the reincarnation of Sati, Shiva's first wife, who relinquished her body to sever familial ties with her father, Daksha, after he had insulted Shiva. Parvati is often equated with the other goddesses such as Sati, Uma, Kali and Durga and due to this close connection, they are often treated as one and the same, with their stories frequently overlapping. In Hindu mythology, the birth of Parvati to the mountain lord Himavan and his wife Mena is primarily understood as a cosmic event meant to lure Shiva out of his ascetic withdrawal and into the realm of marriage and household life. As Shiva's wife, Parvati represents the life-affirming, creative force that complements Shiva's austere, world-denying nature, thus balancing the two poles of asceticism and householder life in Hindu philosophy. Parvati's role as wife and mother is central to her mythological persona, where she embodies the ideal of the devoted spouse who both supports and expands her husband's realm of influence. Parvati is also noted for her motherhood, being the mother of the prominent Hindu deities Ganesha and Kartikeya.