Prometheus in the context of "Kratos (mythology)"

⭐ In the context of Kratos (mythology), *Prometheus Bound* depicts him primarily as…

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👉 Prometheus in the context of Kratos (mythology)

In Greek mythology, Kratos (Ancient Greek: Κράτος, lit.'power, strength') also known as Cratus or Cratos, is the divine personification of strength. He is the son of Pallas and Styx. Kratos and his siblings Nike ('Victory'), Bia ('Force'), and Zelus ('Glory') are all the personification of a specific trait. Kratos is first mentioned alongside his siblings in Hesiod's Theogony. According to Hesiod, Kratos and his siblings dwell with Zeus because their mother Styx came to him first to request a position in his regime, so he honored her and her children with exalted positions. Kratos and his sister Bia are best known for their appearance in the opening scene of Aeschylus' Prometheus Bound. Acting as agents of Zeus, they lead the captive Titan Prometheus on stage. Kratos compels the mild-mannered blacksmith god Hephaestus to chain Prometheus to a rock as punishment for his theft of fire.

Kratos is characterized as brutal and merciless, repeatedly mocking both Hephaestus and Prometheus' advocacy against the use of unnecessary violence. He defends Zeus' oppressive rule and predicts that Prometheus will never escape his bonds. In Aeschylus' Libation Bearers, Electra calls upon Kratos, Dike ("Justice"), and Zeus to aid her brother Orestes in avenging the murder of their father Agamemnon. Kratos and Bia appear in a late fifth-century BC red-figure Attic skyphos of the punishment of Ixion, possibly based on a scene from a lost tragedy by Euripides. They also appear in late eighteenth and nineteenth-century Romantic depictions and adaptations of the binding of Prometheus.

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Prometheus in the context of Menoetius

Menoetius or Menoetes (/məˈnʃiəs/; Ancient Greek: Μενοίτιος, Μενοίτης Menoitios), meaning doomed might, is a name that refers to three distinct persons from Greek mythology:

  • Menoetius, a second generation Titan, son of Iapetus and Clymene or Asia, and a brother of Atlas, Prometheus and Epimetheus. Menoetius was killed by Zeus with a flash of lightning in the Titanomachy, and banished to Tartarus. His name means "doomed might", deriving from the Ancient Greek words menos ("might, power") and oitos ("doom, pain"). Hesiod described Menoetius as hubristic, meaning exceedingly prideful and impetuous to the very end. From what his name suggests, along with Hesiod's own account, Menoetius was perhaps the Titan god of violent anger and rash action.
  • Menoetes, guard of the cattle of Hades. During Heracles twelfth labor, which required him to steal the hound Cerberus from the Underworld, he slays one of Hades' cattle. A certain Menoetes, son of Keuthonymos, challenges Heracles to a wrestling match, during which Heracles hugs him and breaks his ribs before Persephone intervenes.
  • Menoetius from Opus was one of the Argonauts, and son of Actor and Aegina. He was the father of Patroclus and Myrto by either Damocrateia, Sthenele, Philomela Polymele, or Periopis. Among the settlers of Locris, Menoetius was chiefly honored by King Opus II, son of Zeus and Protogeneia.
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Prometheus in the context of Titans

In Greek mythology, the Titans (Ancient Greek: Τιτᾶνες, Tītânes; singular: Τιτάν, Tītā́n) were the deities that preceded the Olympians. According to the Theogony of Hesiod, they were the twelve children of the primordial deities Uranus (Sky) and Gaia (Earth). The six male Titans were Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus, and the six female Titans (called the Titanesses; Ancient Greek: Τιτανίδες, Tītānídes; singular: Τιτανίς, Tītānís) were Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys.

After Cronus married his sister Rhea, she bore the first generation of Olympians: the six siblings Zeus, Hera, Poseidon, Demeter, Hades, and Hestia. Certain other children of the Titans, such as Prometheus, Atlas, Helios, and Leto, are sometimes also called Titans.

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Prometheus in the context of Prometheus Bound

Prometheus Bound (Ancient Greek: Προμηθεὺς Δεσμώτης, romanizedPromētheús Desmṓtēs) is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished.

British-born author, C.J. Herington, a scholar of classical Greek and Latin, wrote that Aeschylus certainly did not mean Prometheus Bound to be a "self-contained dramatic unity", and suggests that "most modern students of the subject would probably agree" that Prometheus Bound was followed by a work with the title Prometheus Lyomenos (Prometheus Unbound). Herington adds that "some very slight evidence" indicates that Prometheus Unbound "may have been followed by a third play", Prometheus Pyrphoros (Prometheus the Fire-Bearer); the latter two survive only in fragments. Some scholars have proposed that these fragments all originated from Prometheus Unbound, and that there were only two Promethean plays rather than three. Since the final two dramas of the trilogy have been lost, the author's intention for the work as a whole is not known.

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Prometheus in the context of Colonus (Attica)

Colonus or Kolonos (/kəˈlnəs/; Ancient Greek: Κολωνός, translit. Kolōnós) was a deme of the phyle Aegeis, of ancient Attica, celebrated as the deme of Sophocles, and the scene of one of the poet's tragedies, was situated ten stadia from the gate of the city, called Dipylum, near Plato's Academy and the river Cephissus. It derived its name from two small but conspicuous heights, which rise from the plain a little to the north of the Academy. Hence it is called by Sophocles "the white Colonus". It was under the especial care of Poseidon, and is called by Thucydides the ἱερόν of this god. It is frequently called Colonus Hippius or Kolonos Hippeios (Κολωνός Ἵππειος) or Hippius Colonus or Hippeios Kolonos (Ἵππειος Κολωνός), both meaning "Colonus of the Horses", to distinguish it from the "Colonus Agoraeus" in Athens. Besides the temple of Poseidon, it possessed a sacred grove of the Eumenides, altars of Athena Hippia, Demeter, Zeus, and Prometheus, together with sanctuaries of Peirithous, Theseus, Oedipus, and Adrastus. According to Greek mythology, Oedipus was buried there, as described by Sophocles, who was born there, in his Oedipus at Colonus. The natural beauties of the spot are described by Sophocles in the magnificent chorus: "Here the nightingale, a constant guest, trills her clear note under the trees of green glades, dwelling amid the wine-dark ivy and the god's inviolate foliage, rich in berries and fruit, unvisited by sun, unvexed by the wind of any storm. Here the reveller Dionysus ever walks the ground, companion of the nymphs that nursed him."

In the Athenian oligarchic revolution of 411 BCE, the oligarchs convened at the sanctuary of Poseidon Hippios at Colonus to frame their new constitution.

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Prometheus in the context of Subtitle (titling)

In books and other works, the subtitle is an explanatory title added by the author to the title proper of a work. Another kind of subtitle, often used in the past, is the alternative title, also called alternate title, traditionally denoted and added to the title with the alternative conjunction "or", hence its appellation.

As an example, Mary Shelley gave her most famous novel the title Frankenstein; or, The Modern Prometheus, where or, The Modern Prometheus is the alternative title, by which she references the Greek Titan as a hint of the novel's themes.

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Prometheus in the context of The Oceanids (The Naiads of the Sea)

The Oceanids (The Naiads of the Sea) (French: Les Océanides (Les Naiades de la mer)) is a painting by Gustave Doré, dated to c. 1860. It depicts the Oceanids from Greek mythology with Prometheus chained to a rock in the background. The subject is from the ancient tragedy Prometheus Bound.

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Prometheus in the context of Iapetus (mythology)

In Greek mythology, Iapetus or Iapetos (/ˈæpɪtəs/; eye-AP-ih-təs; Ancient Greek: Ἰαπετός, romanizedIapetós), also Japetus or Japetos, was one of the Titans, the son of Uranus (Sky) and Gaia (Earth) and father of Atlas, Prometheus, Epimetheus, and Menoetius. He was also called the father of Buphagus and Anchiale in other sources.

Iapetus was linked to Japheth (Hebrew: יֶפֶת), one of the sons of Noah and a progenitor of mankind in biblical accounts. The practice by early historians and biblical scholars of identifying various historical nations and ethnic groups as descendants of Japheth, together with the similarity of their names, led to a fusion of their identities, from the early modern period to the present.

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Prometheus in the context of Clymene (wife of Iapetus)

In Greek mythology, Clymene or Klymene (/ˈklɪmɪn, ˈkl-/; Ancient Greek: Κλυμένη, Kluménē, feminine form of Κλύμενος, meaning "famous") is the name of one of the three thousand Oceanid nymphs, usually the wife of Iapetus and mother by him of Prometheus, Epimetheus, Atlas and Menoetius.

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