Private Lives in the context of "Maggie Smith"

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👉 Private Lives in the context of Maggie Smith

Dame Margaret Natalie Smith (28 December 1934 – 27 September 2024) was a British actress. Known for her wit in both comedic and dramatic roles, she had an extensive career on stage and screen for over seven decades and was one of Britain's most recognisable and prolific actresses. She received numerous accolades, including two Academy Awards, five BAFTA Awards, four Emmy Awards, three Golden Globe Awards and a Tony Award, as well as nominations for six Olivier Awards. Smith is one of the few performers to earn the Triple Crown of Acting.

Smith began her stage career as a student, performing at the Oxford Playhouse in 1952, and made her professional debut on Broadway in New Faces of '56. Over the following decades Smith established herself alongside Judi Dench as one of the most significant British theatre performers, working for the National Theatre and the Royal Shakespeare Company. On Broadway, she received the Tony Award for Best Actress in a Play for Lettice and Lovage (1990). She was Tony-nominated for Noël Coward's Private Lives (1975) and Tom Stoppard's Night and Day (1979).

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Private Lives in the context of Laurence Olivier

Laurence Kerr Olivier, Baron Olivier (/ˈlɒrəns ˈkɜːr əˈlɪvi/ LORR-ənss KUR ə-LIV-ee-ay; 22 May 1907 – 11 July 1989) was an English actor and director. He and his contemporaries Ralph Richardson and John Gielgud made up a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career he had considerable success in television roles.

Olivier's family had no theatrical connections, but his father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film. In 1935 he played in a celebrated production of Romeo and Juliet alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richardson and John Burrell, Olivier was the co-director of the Old Vic, building it into a highly respected company. There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus.

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