Digambara monk in the context of "Jain monasticism"

Digambara (/dɪˈɡʌmbərə/; "sky-clad") is one of the two major schools of Jainism, the other being Śvetāmbara (white-clad). The Sanskrit word Digambara means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes. Nakedness was the ideal practice of lord Mahavira and his immediate followers. Mahavira emphasised the importance of nakedness for monks. It symbolizes complete detachment and is an ideal form of conduct. Mahavira believed that renouncing clothes made the body immune to external influences like heat and cold, increasing resilience. Without clothes, a monk would avoid the distractions of acquiring, maintaining, and washing garments, allowing him to focus on spiritual growth and self-discipline.

Digambara and Śvetāmbara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards female monastics, their legends, and the texts they consider as important. Digambaras maintain that women cannot attain nirvana. However, Śvetāmbaras differ and maintain that women as well as eunuchs can attain nirvana, having more inclusivity.

Sarvōdaya (Hindi: सर्वोदय, from sarv-, 'all' and uday, 'rising') is a Sanskrit term which generally means "universal uplift" or "progress of all". The term was used by Mahatma Gandhi as the title of his 1908 translation of John Ruskin's critique of political economy, Unto This Last, and Gandhi came to use the term for the ideal of his own political philosophy. Later Gandhians, like the Indian nonviolence activist Vinoba Bhave, embraced the term as a name for the social movement in post-independence India which strove to ensure that self-determination and equality reached all strata of Indian society. Samantabhadra, an illustrious Digambara monk, as early as the 2nd century A.D., was called the tīrtha of Mahāvīra (24th Tirthankara) by the name sarvodaya.

The Ācārāṅga Sūtra, the foremost and oldest Jain text (First book c. 5th–4th century BCE; Second book c. Late 4th–2nd century BCE), (3rd c. BCE) is the first of the twelve Angas, part of the agamas which were compiled based on the teachings of 24th Tirthankara Mahavira.

The existing text of the Ācārāṅga Sūtra which is used by the Śvetāmbara sect of Jainism was recompiled and edited by Acharya Devardhigani Kshamashraman, who headed the council held at Valabhi c. 454 CE. The Digambaras do not recognize the available text, and regard the original text as having been lost in its original form. The Digambara text, Mulachara is said to be derived from the original Ācārāṅga Sūtra and discusses the conduct of a Digambara monk.

Pravacanasāra is a text composed by Jain monk Kundakunda in the second century CE or later. The title means "Essence of the Doctrine" or "Essence of the Scripture", and it largely deals with the correct ascetic and spiritual behavior based on his dualism premise. Kundakunda provides a rationale for nudity among Digambara monks in this text, stating that the duality of self and of others means "neither I belong to others, nor others belong to me, therefore nothing is mine and the ideal way for a monk to live is the way he was born". The text is written in Prakrit language, and it consists of three chapters and 275 verses.

A modern English translation was published by Vijay K. Jain in 2020.