Pre-Columbian art in the context of Museo Chileno de Arte Precolombino

The Olmecs (/ˈɒlmɛks, ˈoʊl-/) or Olmec were an early major Mesoamerican civilization, flourishing in the modern-day Mexican states of Veracruz and Tabasco from roughly 1200 to 400 BC during Mesoamerica's formative period. They were initially centered at the site of their development in San Lorenzo Tenochtitlán, but moved to La Venta in the 10th century BC following the decline of San Lorenzo. By about 400 BC the major centres of the Olmec civilization had been abandoned, and the population of the eastern half of the Olmec heartland dropped precipitously. The settlement density in that area remained much lower than during the height of Olmec dominance, and only intermittent occupation is evident until much later. Although the Olmec cultural style waned, elements of their tradition lived on in successor societies.

Among other "firsts", the Olmec appeared to practice ritual bloodletting and played the Mesoamerican ballgame, hallmarks of nearly all subsequent Mesoamerican societies. The aspect of the Olmecs most familiar now is their artwork, particularly the colossal heads. The Olmec civilization was first defined through artifacts which collectors purchased on the pre-Columbian art market in the late 19th and early 20th centuries. Olmec artworks are considered among ancient America's most striking.

Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with different forms of writing, such as those of China, India, Mesopotamia, Persia, Egypt, Greece, and Rome. The art of pre-literate societies is normally referred to as prehistoric art and is not covered by the scope of the ancient era. Furthermore, although some pre-Columbian cultures developed writing in the centuries preceding the European discovery of the Americas, these advancements are, on grounds of dating, largely covered with the dedicated topic of pre-Columbian art and associated sub-topics, such as Maya art, Aztec art, and Olmec art.

André Emmerich (October 11, 1924 – September 25, 2007) was a German-born American gallerist who specialized in the color field school and pre-Columbian art while also taking on artists such as David Hockney and John D. Graham.

In Aztec religion, Xiuhcōātl [ʃiʍˈkoːaːt͡ɬ] was a mythological serpent, regarded as the spirit form of Xiuhtecuhtli, the Aztec fire deity sometimes represented as an atlatl or a weapon wielded by Huitzilopochtli. Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent".

Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. Apparently, the royal diadem (or xiuhuitzolli, "pointed turquoise thing") of the Aztec emperors represented the tail of the Xiuhcoatl, the fire serpent.