Power pop in the context of "The Who"

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πŸ‘‰ Power pop in the context of The Who

The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle, and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. They were inducted into the Rock and Roll Hall of Fame in 1990.

The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as The Who, "I Can't Explain" (1965), reached the UK topΒ ten, and was followed by a string of hit singles including "Anyway, Anyhow, Anywhere", "My Generation" (both 1965), "Substitute", "I'm a Boy", "Happy Jack" (all 1966) and "Pictures of Lily" (1967). In 1967, they performed at the Monterey Pop Festival and released "I Can See for Miles", their only US top ten single. The group's 1969 concept album Tommy included the single "Pinball Wizard" and was a critical and commercial success.

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Power pop in the context of Buzzcocks

Buzzcocks are an English punk rock band formed by singer-songwriter and guitarist Pete Shelley and singer-songwriter Howard Devoto in Bolton in 1976. Their songs include punk rock, power pop, and pop punk. They achieved commercial success with singles that fuse pop with rapid-fire punk energy; these singles were later collected on Singles Going Steady, an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".

Devoto left the band in 1977 and formed Magazine, after which Pete Shelley became the principal singer-songwriter. The classic lineup of Shelley, Steve Diggle (guitar), Steve Garvey (bass) and John Maher (drums) recorded Buzzcocks' first three albums, after which the band broke up in 1981 following a dispute with their record label. The band reunited in 1989 and released six more albums before Shelley's death in 2018. Members during that time included Tony Barber (bass) and Phil Barker (drums). The band has remained active, being anchored by long-time guitarist Diggle, who has since also assumed lead vocal duties. As of 2019, the band consists of Diggle, Danny Farrant (drums), Chris Remington (bass) and touring member Mani Perazzoli (guitar, backing vocals). This line-up released the band's tenth album, Sonics in the Soul in 2022.

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Power pop in the context of Pop-punk

Pop-punk (also punk pop, alternatively spelled without the hyphen) is a rock music genre that combines elements of punk rock and pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, hip hop, emo, boy band pop and even hardcore punk and metalcore. It is sometimes considered interchangeable with power pop and skate punk.

The genre's roots are found during the late 1970s with groups such as the Ramones, the Undertones, and Buzzcocks setting its initial groundwork. 1980s punk bands like Bad Religion, Descendents and the Misfits, while not necessarily pop-punk in and of themselves, were influential to pop-punk, and it expanded in the late 1980s and early 1990s by a host of bands signed to Lookout! Records, including Screeching Weasel, the Queers, and the Mr. T Experience, becoming a foundational stage. In the mid-1990s, the genre saw a widespread popularity increase and entered the mainstream with bands like Green Day and the Offspring. The genre experienced a second wave that cemented the late 1990s and early 2000s led by Blink-182, and in their wake followed contemporary acts such as Sum 41, New Found Glory, Good Charlotte, and Avril Lavigne, while the Warped Tour played a crucial role in launching up-and-coming pop-punk artists.

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