Post-Impressionist in the context of "Édouard Manet"

The Church at Auvers is an oil painting created by Dutch Post-Impressionist artist Vincent van Gogh in June 1890 which now hangs in the Musée d'Orsay in Paris, France.

The painting depicts the Église Notre-Dame-de-l'Assomption in Auvers-sur-Oise, France, 27 kilometres (17 mi) north-west of Paris.

Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləɱ vɑŋ ˈɣɔx] ; 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. His oeuvre includes landscapes, still lifes, portraits, and self-portraits, most of which are characterised by bold colours and dramatic brushwork that contributed to the rise of expressionism in modern art. Van Gogh's work was only beginning to gain critical attention before his death from suicide at age 37. During his lifetime, only one of Van Gogh's paintings, The Red Vineyard, was sold.

Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful, but showed signs of mental instability. As a young man, he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion and spent time as a missionary in southern Belgium. Later he drifted into ill-health and solitude. He was keenly aware of modernist trends in art and, while back with his parents, took up painting in 1881. His younger brother, Theo, supported him financially, and the two of them maintained a long correspondence.

Georges Pierre Seurat (UK: /ˈsɜːrɑː, -ə/ SUR-ah, -⁠ə, US: /sʊˈrɑː/ suu-RAH; French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.

Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting.

Eugène Henri Paul Gauguin (/ɡoʊˈɡæn/; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.

Gauguin was born in Paris in 1848, amidst the tumult of Europe's revolutionary year. In 1850, Gauguin's family settled in Peru, where he experienced a privileged childhood that left a lasting impression on him. Later, financial struggles led them back to France, where Gauguin received formal education. Initially working as a stockbroker, Gauguin started painting in his spare time, his interest in art kindled by visits to galleries and exhibitions. The financial crisis of 1882 significantly impacted his brokerage career, prompting a shift to full-time painting. Gauguin's art education was largely self-taught and informal, shaped significantly by his associations with other artists rather than academic training. His entry into the art world was facilitated by his acquaintance with Camille Pissarro, a leading Impressionist. Pissarro took on a mentor role for Gauguin, introducing him to other Impressionist artists and techniques.

Émile Henri Bernard (French pronunciation: [emil ɑ̃ʁi bɛʁnaʁ]; 28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed.

Sergei Ivanovich Shchukin (Russian: Сергей Иванович Щукин; 6 July [O.S. 24 June] 1854 – 10 January 1936) was a Russian businessman who became an art collector, mainly of French Impressionist and Post-Impressionist art.