Pontian Greeks in the context of "Dankiyo"

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👉 Pontian Greeks in the context of Dankiyo

Dankiyo (from ancient Greek: To angeion (Τὸ ἀγγεῖον)), is an ancient word from the text of Evliya Çelebi (17th century, Ottoman Era "The Laz's of Trebizond invented a bagpipe called a dankiyo..." describing the Pontian tulum, a type of bagpipe which the ancient Greeks called an askaulos (ἀσκός askos – wine-skin, αὐλός aulos – flute). It consists of a lamb skin, a blow pipe, and the double reed chanter.

The dankiyo is played in small villages near Trabzon and Rize. A similar type of bagpipe can be found on the islands of Greece with different names like Tsampouna or Askomandoura. Its use is also widespread in the region of Macedonia in Northern Greece amongst Pontian Greek populations. What differentiates the dankiyo from other bagpipes is that the dankiyo does not use a separate pipe for the drone. Instead, the sound is created by two reeds in the chanter.

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Pontian Greeks in the context of Greek dance

Greek dance (choros; Greek: χορός, romanizedchorós) is an old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko.

Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition frequently dictates a strict order in the arrangement of the dancers, for example, by age.

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