Political cartoons in the context of "Martin Rowson"

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⭐ Core Definition: Political cartoons

A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.

Developed in England in the latter part of the 18th century, the political cartoon was pioneered by James Gillray, although his and others in the flourishing English industry were sold as individual prints in print shops. Founded in 1841, the British periodical Punch appropriated the term cartoon to refer to its political cartoons, which led to the term's widespread use.

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Political cartoons in the context of Le Charivari

Le Charivari was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, Le Charivari began publishing satires of everyday life. The name refers to the folk practice of holding a charivari, a loud, riotous parade, to shame or punish wrongdoers.

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Political cartoons in the context of Yellow Kid

The Yellow Kid (Mickey Dugan) is an American comic-strip character that appeared from 1895 to 1898 in Joseph Pulitzer's New York World, and later William Randolph Hearst's New York Journal. Created and drawn by Richard F. Outcault in the comic strip Hogan's Alley (and later under other names as well), the strip was one of the first Sunday supplement comic strips in an American newspaper, although its graphical layout had already been thoroughly established in political and other, purely-for-entertainment cartoons. Outcault's use of word balloons in The Yellow Kid influenced the basic appearance and use of balloons in subsequent newspaper comic strips and comic books.

The Yellow Kid is also famous for its connection to the coining of the term "yellow journalism". The idea of "yellow journalism" referred to stories that were sensationalized for the sake of selling papers, and was so named after the "Yellow Kid" cartoons. Through his cartoons, Outcault's work aimed his humor and social commentary at Pulitzer's adult readership. The strip has been described as "a turn-of-the-century theater of the city, in which class and racial tensions of the new urban, consumerist environment were acted out by a mischievous group of New York City kids from the wrong side of the tracks".

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