Point (typography) in the context of Formatted text

Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.

Typography is also the work of graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Personal computers opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished.

In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters ⟨æ⟩ and ⟨œ⟩ used in English and French, in which the letters ⟨a⟩ and ⟨e⟩ are joined for the first ligature and the letters ⟨o⟩ and ⟨e⟩ are joined for the second ligature. For stylistic and legibility reasons, ⟨f⟩ and ⟨i⟩ are often merged to create ⟨fi⟩ (where the tittle on the ⟨i⟩ merges with the hood of the ⟨f⟩); the same is true of ⟨s⟩ and ⟨t⟩ to create ⟨st⟩. The common ampersand, ⟨&⟩, developed from a ligature in which the handwritten Latin letters ⟨e⟩ and ⟨t⟩ (spelling et, Latin for 'and') were combined.

In typography, line length is the width of a block of typeset text, usually measured in units of length like inches or points or in characters per line (in which case it is a measure). A block of text or paragraph has a maximum line length that fits a determined design. If the lines are too short then the text becomes disjointed; if they are too long, the content loses rhythm as the reader searches for the start of each line.

Line length is determined by typographic parameters based on a formal grid and template with several goals in mind: balance and function for fit and readability with a sensitivity to aesthetic style in typography. Typographers adjust line length to aid legibility or copy fit. Text can be flush left and ragged right, flush right and ragged left, or justified where all lines are of equal length. In a ragged right setting, line lengths vary to create a ragged right edge. Sometimes this can be visually satisfying. For justified and ragged right settings typographers can adjust line length to avoid unwanted hyphens, rivers of white space, and orphaned words/characters at the end of lines (e.g., "The", "I", "He", "We").

In typography, leading (/ˈlɛdɪŋ/ LED-ing) is the space between adjacent lines of type; the exact definition varies.

In hand typesetting, leading is the thin strips of lead (or aluminium) that were inserted between lines of type in the composing stick to increase the vertical distance between them. The thickness of the strip is called leading and is equal to the difference between the size of the type and the distance from one baseline to the next. For instance, given a type size of 10 points and a distance between baselines of 12 points, the leading would be 2 points. This combination of type size and distance between baselines is described as "10 on 12 pt", which may appear in a book's colophon as "Typeset in 10 on 12 pt Times Roman", or similar.

A cicero /ˈsɪsəroʊ/ is a unit of measure used in typography in Italy, France and other continental European countries, first used by Pannartz and Sweynheim in 1468 for the edition of Cicero's Epistulae ad Familiares. The font size thus acquired the name cicero.

It is 1⁄6 of the historical French inch, and is divided into 12 points, known in English as French points or Didot points. The unit of the cicero is similar to an English pica, although the French inch was slightly larger than the English inch. There are about 1.066 picas to a cicero; a pica is 4.23333333 mm and a cicero is 4.51165812456 mm.

In typesetting, a slug is any of several kinds of piece of lead or other type metal. One kind of slug is a piece of spacing material used to space paragraphs. In the era of commercial typesetting in metal type, they were usually manufactured in strips of 6-point lead. Another kind of slug is a single sort, bearing a single letter or any other symbol. More recently, a slug can be an entire line of Linotype typeset matter, where a single piece of lead has been cast bearing a line of text.

In modern typesetting programs such as Adobe InDesign, slugs hold printing information, customized color bar information, or display other instructions and descriptions for other information in the document. Objects (including text frames) positioned in the slug area are printed but will disappear when the document is trimmed to its final page size.

The pica is a typographic unit of measure corresponding to approximately 1⁄6 of an inch. One pica is further divided into 12 points.

In typography, the body height or point size refers to the height of the space in which a glyph is defined.

Originally, in metal typesetting, the body height or the font (or point) size was defined by the height of the lead cuboid (metal sort) on which the actual font face is moulded. The body height of a metal sort defined the point size, and was usually slightly larger than the distance between the ascender and descender to allow additional space between the lines of text. More space might be achieved by inserting thin long pieces of lead between the lines of text (that is leading).

An em (from em quadrat) is a unit in the field of typography, equal to the currently specified point size. It corresponds to the body height of the typeface. For example, one em in a 16-point typeface is 16 points. Therefore, this unit is the same for all typefaces at a given point size.

The em space   is one em wide.