Podium in the context of "Cryptoporticus"

Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.

The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, although in earlier periods of classical music history, leading an ensemble while playing an instrument was common. In Baroque music, the group would typically be led by the harpsichordist or first violinist (concertmaster), an approach that in modern times has been revived by several music directors for music from this period. Conducting while playing a piano or synthesizer may also be done with musical theatre pit orchestras. Instrumentalists may perform challenging works while conducting - for instance, it is not uncommon to see a pianist perform a concerto while also conducting the orchestra. Communication is typically non-verbal during a performance. However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how music should be performed.

The Temple of Vesta, or the aedes (Latin Aedes Vestae; Italian: Tempio di Vesta), was an ancient edifice in Rome, Italy. It is located in the Roman Forum near the Regia and the House of the Vestal Virgins. The Temple of Vesta housed Vesta's holy fire, which was a symbol of Rome's safety and prosperity. The temple has a circular footprint, making it a tholos.

Since the worship of Vesta began in private homes, the architecture seems to pay homage to the architecture of early Roman homes. The temple's current, ruinous form employs elements of Greek architecture with Corinthian columns and marble. The sacred hearth was housed in a central cella. The surviving structure indicates that there were twenty Corinthian columns built on a podium fifteen meters in diameter. The roof probably had a vent at the apex to allow smoke to escape.

Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture". Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room (cella) housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room, or rooms, used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside of the cella where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct.

The most common architectural plan had a rectangular temple raised on a high podium, with a clear front with a portico at the top of steps, and a triangular pediment above columns. The sides and rear of the building had much less architectural emphasis, and typically no entrances. There were also circular plans, generally with columns all round, and outside Italy there were many compromises with traditional local styles. The Roman form of temple developed initially from Etruscan temples, themselves influenced by the Greeks, with subsequent heavy direct influence from Greece.

A tholos (from Ancient Greek θόλος (thólos) 'conical roof, dome'; pl. tholoi; Latin: tholus; pl. tholi) is a form of building that was widely used in the Greco-Roman world. It is a round structure with a circular wall and a roof, usually built upon a couple of steps (a podium), and often with a ring of columns supporting a conical or domed roof.

It differs from a monopteros (Ancient Greek:ὁ μονόπτερος from the Polytonic: μόνος, only, single, alone, and τὸ πτερόν, wing), a circular colonnade supporting a roof but without any walls, which therefore does not have a cella (room inside). Both these types are sometimes called rotundas.

The Temple of Augustus (Croatian: Augustov hram; Italian: Tempio di Augusto) is a well-preserved Roman temple in the city of Pula, Croatia (known in Roman times as Pietas Iulia). Dedicated to the first Roman emperor, Augustus, it was probably built during the emperor's lifetime at some point between 27 BC and his death in AD 14. It was built on a podium with a tetrastyle prostyle porch of Corinthian columns and measures about 8 by 17.3 m (26 by 57 ft), and 14 m (46 ft) high. The richly decorated frieze is similar to that of a somewhat larger and more recent temple, the Maison Carrée in Nîmes, France. These two temples are considered the two best complete Roman monuments outside Italy.