Plinth in the context of "Laterculus"

A bust is a sculpted or cast representation of the upper part of the human body, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood.

As a format that allows the most distinctive characteristics of an individual to be depicted with much less work, and therefore expense, and occupying far less space than a full-length statue, the bust has been since ancient times a popular style of life-size portrait sculpture.

In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above.

The Kanheri Caves (Kānherī-guhā [kaːnʱeɾiː ɡuɦaː]) are a group of caves and rock-cut monuments, cut into a massive basalt outcrop in the forests of the Sanjay Gandhi National Park, on the island of Salsette in the western outskirts of Mumbai, India. They contain Buddhist sculptures and relief carvings, paintings and inscriptions, dating from the 1st century CE to the 10th century CE. Kanheri comes from the Sanskrit Krishnagiri, which means "black mountain".

The site is on a hillside, and is accessible via rock-cut steps. The cave complex comprises one hundred and nine caves. The oldest are relatively plain and unadorned, in contrast to later caves on the site, and the highly embellished Elephanta Caves of Mumbai. Each cave has a stone plinth that functioned as a bed. A congregation hall with huge stone pillars contains a stupa (a Buddhist Pagoda). Rock-cut channels above the caves fed rainwater into cisterns, which provided the complex with water. Once the caves were converted to permanent monasteries, their walls were carved with intricate reliefs of Buddha and the Bodhisattvas. Kanheri caves were built in the 1st century and had become an important Buddhist settlement on the Konkan coast by the 3rd century CE.

In architecture, a socle is a short plinth used to support a pedestal, sculpture, or column. In English, the term tends to be most used for the bases for rather small sculptures, with plinth or pedestal preferred for larger examples. This is not the case in French.

In the field of archaeology this term refers to a wall base, frequently of stone, that supports the upper part of the wall, which is made of a different material – frequently mudbrick. This was a typical building practice in ancient Greece, resulting in the frequent preservation of the plans of ancient buildings only in their stone-built lower walls, as at the city of Olynthos. A very early example is the two-storey fortified House of the Tiles at Lerna in the Peloponnese, built of mud-brick over a stone socle, with much use of wood, and clay for the floors and as stucco for the walls. This dates to the Early Helladic II, of four thousand years ago.

Bixi, or Bi Xi (Wade–Giles: Pi-hsi), is a figure from Chinese mythology. One of the nine sons of the Dragon King, he is depicted as a dragon with the shell of a turtle. Stone sculptures of Bixi have been used in Chinese culture for centuries as a decorative plinth for commemorative steles and tablets, particularly in the funerary complexes of its later emperors and to commemorate important events, such as an imperial visit or the anniversary of a World War II victory. They are also used at the bases of bridges and archways. Sculptures of Bixi are traditionally rubbed for good luck, which can cause conservation issues. They can be found throughout East Asia and the Russian Far East.

Zócalo (Latin American Spanish pronunciation: [ˈsokalo]) is the common name of the main square in central Mexico City. Prior to the colonial period, it was the main ceremonial center in the Aztec city of Tenochtitlan. The plaza used to be known simply as the Plaza Mayor ("Main Square") or Plaza de Armas ("Arms Square"), and today its formal name is Plaza de la Constitución ("Constitution Square").

This name does not come from any of the Mexican constitutions that have governed Mexico but from the Cádiz Constitution, which was signed in Spain in the year 1812. Even so, it is almost always called the Zócalo today. Plans were made to erect a column as a monument to independence, but only the base, or zócalo (meaning "plinth"), was built. The plinth was buried long ago, but the name has lived on. Many other Mexican towns and cities, such as Oaxaca, Mérida, and Guadalajara, have adopted the word zócalo to refer to their main plazas, but not all.

Stripped Classicism (also referred to as Starved Classicism or Grecian Moderne) is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adopted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure.

Despite its etymological similarity, Stripped Classicism is sometimes distinguished from "Starved Classicism", the latter "displaying little feeling for rules, proportions, details, and finesse, and lacking all verve and élan". At other times the terms "stripped" and "starved" are used interchangeably.

The fourth plinth is the northwest plinth in Trafalgar Square in central London. It was originally intended to hold an equestrian statue of William IV, but remained empty due to lack of funds. For over 150 years, its use was debated; in 1998, the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) commissioned three contemporary sculptures to be displayed temporarily on the plinth. Shortly afterwards, Chris Smith, Secretary of State for Culture, Media and Sport, commissioned Sir John Mortimer to seek opinions from public art commissioners, critics and members of the public as to its future. Mortimer's final report recommended that there continue to be a rolling programme of commissioned temporary artworks rather than settle permanently on one figure or idea.

In 2003, the ownership of Trafalgar Square was transferred from Westminster City Council to the Mayor of London and this marked the beginning of the Mayor of London's Fourth Plinth Commission as it is now known.

In architecture, the dado is the lower part of a wall, below the dado rail and above the skirting board. The word is borrowed from Italian meaning "dice" or "cube", and refers to die, an architectural term for the middle section of a pedestal or plinth.

The Grave Stele of Hegeso, most likely sculpted by Callimachus, is renowned as one of the finest Attic grave stelae surviving (mostly intact) today. Dated from c. 410 – c. 400 BCE, it is made entirely of Pentelic marble. It stands 1.49m high and 0.92m wide, in the form of a naiskos, with pilasters and a pediment featuring palmette acroteria. The relief, currently on display at the National Archaeological Museum in Athens (NAMA 3624) was found in 1870 in the Kerameikos in Athens, which now houses a replica of it.

In its current condition, it is almost complete, but has been restored around its edges. The plinth has mostly broken off and there is slight damage on the head of Hegeso.