Place de la Concorde in the context of "Ange-Jacques Gabriel"

The Palais Bourbon (pronounced [pa.lɛ buʁ.bɔ̃]) is the meeting place of the National Assembly, the lower legislative chamber of the French Parliament. It is in the 7th arrondissement of Paris, on the Rive Gauche of the Seine across from the Place de la Concorde. The official address is on the Rue de l'Université, facing the Place du Palais-Bourbon.

The original palace was built beginning in 1722 for Louise Françoise de Bourbon, Duchess of Bourbon, the legitimised daughter of Louis XIV and the Marquise de Montespan. Four successive architects – Lorenzo Giardini, Pierre Cailleteau, Jean Aubert and Ange-Jacques Gabriel – completed the palace in 1728. It was then confiscated from Louis Joseph, Prince of Condé, during the French Revolution and nationalised. From 1795 to 1799, during the Directory, it was the meeting place of the Council of Five Hundred, which chose the government leaders. Beginning in 1806, during Napoleon Bonaparte's First French Empire, Bernard Poyet's Neoclassical façade was added to mirror that of the Église de la Madeleine, facing it across the Seine beyond the Place de la Concorde.

An obelisk (/ˈɒbəlɪsk/; from Ancient Greek ὀβελίσκος (obelískos), diminutive of ὀβελός (obelós) ' spit, nail, pointed pillar') is a tall, slender, tapered monument with four sides and a pyramidal or pyramidion top. Originally constructed by Ancient Egyptians and called tekhenu, the Greeks used the Greek term obeliskos to describe them, and this word passed into Latin and ultimately English. Though William Thomas used the term correctly in his Historie of Italie of 1549, by the late sixteenth century (after reduced contact with Italy following the excommunication of Queen Elizabeth), Shakespeare failed to distinguish between pyramids and obelisks in his plays and sonnets. Ancient obelisks are monolithic and consist of a single stone; most modern obelisks are made of several stones.

The Musée de l'Orangerie (English: Orangery Museum) is an art gallery of Impressionist and Post-Impressionist paintings located in the west corner of the Tuileries Garden next to the Place de la Concorde in Paris. The museum is most famous as the permanent home of eight large Water Lilies murals by Claude Monet, and also contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Alfred Sisley, Chaïm Soutine, Maurice Utrillo, and others.

The Church of Saint Mary Magdalene (French: église Sainte-Marie-Madeleine [eɡliz sɛ̃t maʁi madlɛn]), less formally called La Madeleine ([la madlɛn]), is a Catholic parish church on Place de la Madeleine in the eighth arrondissement of Paris. It was planned by Louis XV as the focal point of the new Rue Royal, leading to the new Place Louis XV, the present Place de la Concorde. It was dedicated in 1764 by Louis XV, but work was halted due to the French Revolution. Napoleon Bonaparte had it redesigned in the Neoclassical style to become a monument to the glory of his armies. After his downfall in 1814, construction as a church resumed, but it was not completed until 1842. The building is surrounded on all four sides by Corinthian columns. The interior is noted for its frescoes on the domed ceiling, and monumental sculptures by François Rude, Carlo Marochetti and other prominent 19th-century French artists.

The exterior and interior of the church are undergoing a major project of cleaning and restoration, which began in 2020 and is scheduled for completion in 2024.

French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of façades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental urban squares in Paris and other cities, notably Place Vendôme and the Place de la Concorde. The style profoundly influenced 18th-century secular architecture throughout Europe; the Palace of Versailles and the French formal garden were copied by other courts all over Europe.

The Luxor Obelisks (French: Obélisques de Louxor) are a pair of ancient Egyptian obelisks, over 3,000 years old, carved to stand at either side of the portal of the Luxor Temple in the reign of Ramesses II (c. 1250 BC). The right-hand (western) stone, 23 metres (75 ft) high, was gifted by Egypt to France in the 1830s and moved to the Place de la Concorde in Paris, while the left-hand (eastern) obelisk remains in its location in Egypt.

The Luxor Obelisk in Paris was classified officially as a monument historique in 1936.

Skateboarding competitions at the 2024 Summer Olympics were held from 28 July to 7 August at Place de la Concorde, returning to the program for the second time since the sport's official debut three years earlier in Tokyo 2020. With the showcase of youthful talents and the level of competition continually rising, Paris 2024 will witness more skateboarders compete across four medal events (street and park for both men and women) as the roster size gradually expands from 80 in Tokyo to 88.

The Tuileries Garden (French: Jardin des Tuileries, IPA: [ʒaʁdɛ̃ de tɥilʁi]) is a public garden between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in 1564, it was opened to the public in 1667 and became a public park after the French Revolution. Since the 19th century, it has been a place for Parisians to celebrate, meet, stroll and relax. During the 2024 Summer Olympics and Paralympics, it was the site of the Olympic and Paralympic cauldron.

The Quai d'Orsay (/ˌkeɪ dɔːrˈseɪ/ KAY dor-SAY, French: [ke dɔʁsɛ] ) is a quay in the 7th arrondissement of Paris. It is part of the left bank of the Seine opposite the Place de la Concorde. It becomes the Quai Anatole-France east of the Palais Bourbon, and the Quai Branly west of the Pont de l'Alma.

The seat of the Ministry of Foreign Affairs (the Hôtel du ministre des Affaires étrangères) is located on the Quai d'Orsay, between the Esplanade des Invalides and the National Assembly at the Palais Bourbon; thus the ministry is often called the "Quai d'Orsay" in the press by metonymy. The building housing the Ministry of Foreign Affairs was built between 1844 and 1855 by Jacques Lacornée. The statues of the facade were created by the sculptor Henri de Triqueti (1870). The 1919 Treaty of Versailles was negotiated and written at the Ministry of Foreign Affairs.