Louis Joseph de Bourbon (9 August 1736 – 13 May 1818) was Prince of Condé from 1740 to his death. A member of the House of Bourbon, he held the prestigious rank of Prince du Sang.
During the French revolution, Louis was a supporter of the monarchy.
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👉 Louis Joseph, Prince of Condé in the context of Palais Bourbon
The Palais Bourbon (pronounced [pa.lɛ buʁ.bɔ̃]) is the meeting place of the National Assembly, the lower legislative chamber of the French Parliament. It is in the 7th arrondissement of Paris, on the Rive Gauche of the Seine across from the Place de la Concorde. The official address is on the Rue de l'Université, facing the Place du Palais-Bourbon.
The original palace was built beginning in 1722 for Louise Françoise de Bourbon, Duchess of Bourbon, the legitimised daughter of Louis XIV and the Marquise de Montespan. Four successive architects – Lorenzo Giardini, Pierre Cailleteau, Jean Aubert and Ange-Jacques Gabriel – completed the palace in 1728. It was then confiscated from Louis Joseph, Prince of Condé, during the French Revolution and nationalised. From 1795 to 1799, during the Directory, it was the meeting place of the Council of Five Hundred, which chose the government leaders. Beginning in 1806, during Napoleon Bonaparte's First French Empire, Bernard Poyet's Neoclassical façade was added to mirror that of the Église de la Madeleine, facing it across the Seine beyond the Place de la Concorde.
In this Dossier
- ⭐ Core Definition: Louis Joseph, Prince of Condé
- 👉 Louis Joseph, Prince of Condé in the context of Palais Bourbon
- Louis Joseph, Prince of Condé in the context of Place du Palais-Bourbon
- Louis Joseph, Prince of Condé in the context of Jean-François Leroy
- Louis Joseph, Prince of Condé in the context of Hameau de la Reine
Louis Joseph, Prince of Condé in the context of Place du Palais-Bourbon
The Place du Palais-Bourbon is a historic square in the 7th arrondissement of Paris, France. It is named after the Palais Bourbon, the seat of the National Assembly of the French Parliament, located just north of the square.
The land was acquired by Louis Joseph, Prince of Condé in 1769. The Prince de Condé hired architect Jean-François Leroy to design the square. Its construction, which began in 1788, was completed in 1804. In the meantime, the Prince of Condé had fled due to the French Revolution. In 1855, a statue named La Loi designed by sculptor Jean-Jacques Feuchère was installed at the centre of the square.
Louis Joseph, Prince of Condé in the context of Jean-François Leroy
Jean-François Leroy (French pronunciation: [ʒɑ̃ fʁɑ̃swa ləʁwa]; 24 September 1729 - 1791) was a French architect. For the Prince of Condé, he worked on the Château of Chantilly, the Palais Bourbon, and the Hôtel de Lassay, where he replaced Claude Billard de Bélisard in 1780.
Louis Joseph, Prince of Condé in the context of Hameau de la Reine
The Hameau de la Reine (French pronunciation: [amo də la ʁɛn], The Queen's Hamlet) is a rustic retreat in the park of the Château de Versailles built for Marie Antoinette in 1783 near the Petit Trianon in Yvelines, France. It served as a private meeting place for the queen and her closest friends and as a place of leisure. Designed by Richard Mique, the queen's favoured architect, with the help of the painter Hubert Robert, it contained a meadowland with a lake and various buildings in a rustic or vernacular style, inspired by Norman or Flemish design, situated around an irregular pond fed by a stream that turned a mill wheel. The building scheme included a farmhouse, (the farm was to produce milk and eggs for the queen), a dairy, a dovecote, a boudoir, a barn that burned down during the French Revolution, a mill and a tower in the form of a lighthouse. Each building is decorated with a garden, an orchard or a flower garden. The largest and most famous of these houses is the "Queen's House", connected to the Billiard house by a wooden gallery, at the center of the village. A working farm was close to the idyllic, fantasy-like setting of the Queen's Hamlet.
The hameau is the best-known of a series of rustic garden constructions built in this era, notably the Prince of Condé's Hameau de Chantilly (1774–1775) which was the inspiration for the Versailles hamlet. Such model farms, operating under principles espoused by the Physiocrats, were fashionable among the French aristocracy at the time. One primary purpose of the hameau was to add to the ambiance of the Petit Trianon, giving the illusion that it was deep in the countryside rather than within the confines of Versailles. The rooms at the hameau allowed for more intimacy than the grand salons at Versailles or at the Petit Trianon.