Pietro Lorenzetti (Italian: [ˈpjɛːtro lorenˈtsetti]; c. 1280 – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance.
Ambrogio Lorenzetti (Italian pronunciation: [amˈbrɔːdʒo lorenˈtsetti]; c. 1290 – after 9 August 1348) was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted The Allegory of Good and Bad Government in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti.
The triumphal entry into Jerusalem is a narrative in the four canonical Gospels describing the arrival of Jesus in Jerusalem a few days before his crucifixion. This event is celebrated each year by Christians on Palm Sunday.
According to the gospels, Jesus arrived in Jerusalem to celebrate Passover, entering the city riding a donkey. He was greeted by a crowd acclaiming him by waving palm branches and laying cloaks on the ground to honor him. This episode introduces the events of the Passion of Jesus, leading to his crucifixion and resurrection. The event is described in Matthew 21:1–11, Mark 11:1–11, Luke 19:28–44 and John 12:12–19.
The Basilica of Saint Francis of Assisi (Italian: Basilica di San Francesco d'Assisi; Latin: Basilica Sancti Francisci Assisiensis) is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in central Italy, where Saint Francis was born and died. It is a papal minor basilica and one of the most important places of Christian pilgrimage in Italy. With its accompanying friary, Sacro Convento, the basilica is a distinctive landmark to those approaching Assisi. It has been a UNESCO World Heritage Site since 2000.
The basilica, which was begun in 1228, is built into the side of a hill and comprises two churches (known as the Upper Church and the Lower Church) and a crypt, where the remains of the saint are interred. The interior of the Upper Church is an important early example of the Gothic style in Italy. The Upper and Lower Churches are decorated with frescoes by numerous late medieval painters from the Roman and Tuscan schools, and include works by Cimabue, Giotto, Simone Martini, Pietro Lorenzetti, and possibly Pietro Cavallini. The range and quality of the works give the basilica a unique importance in demonstrating the outstanding development of Italian art of this period, especially if compared with the rest of Christian Europe.
The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries. Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
The Museo dell'Opera del Duomo is an art museum in Siena, in Tuscany in central Italy. It houses works of art and architectural fragments that were formerly in, or a part of, the Duomo of Siena (Siena Cathedral). These include a number of Italian Gothic sculptures by Giovanni Pisano and his school from the façade of the cathedral; the Maestà of Duccio di Boninsegna, which was the cathedral's altarpiece in the crossing beneath the dome from about 1311 until 1505 or 1506;, works by Ambrogio and Pietro Lorenzetti (14th ct.), as well as Donatello's Madonna del Perdono (1457) There are also works moved to the museum from other churches in the area, such as the Madonna of Duccio brought from the Pieve di Santa Cecilia at Crevole in the comune of Murlo.