Pierre Le Gros the Younger in the context of "Gaspard and Balthazard Marsy"

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⭐ Core Definition: Pierre Le Gros the Younger

Pierre Le Gros (12 April 1666 Paris – 3 May 1719 Rome) was a French sculptor, active almost exclusively in Baroque Rome where he was the pre-eminent sculptor for nearly two decades.

He created monumental works of sculpture for the Jesuits and the Dominicans and found himself centre stage of the two most prestigious artistic campaigns of his era, the Altar of Saint Ignatius of Loyola in the Gesù and the cycle of the twelve huge Apostle statues in the nave of the Lateran basilica. Le Gros' handling of the marble attracted powerful patrons like the papal treasurer Lorenzo Corsini (much later to become Pope Clement XII) and Cardinal de Bouillon, as Dean of the Sacred College the highest ranking cardinal. He also played a prominent role in more intimate settings like the chapel of the Monte di Pietà and the Cappella Antamori in San Girolamo della Carità, both little treasures of the Roman late baroque not known to many because they are difficult to access.

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👉 Pierre Le Gros the Younger in the context of Gaspard and Balthazard Marsy

The brothers Gaspard (born 1624 or 1625, died 10 December 1681) and Balthazar Marsy (baptised 6 January 1628, died May 1674) were French sculptors. Originally from Cambrai, they moved to Paris and were employed by King Louis XIV, particularly for the decoration of the palace and gardens at Versailles.

Their sister Jeanne was married to the sculptor Pierre Le Gros the Elder and was the mother of the sculptor Pierre Le Gros the Younger.

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